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Showing posts with label minstrel songs. Show all posts
Showing posts with label minstrel songs. Show all posts

Monday, June 3, 2013

Videos Of The Black Cat Piddled In The White Cat's Eye

Posted on 10:48 AM by Unknown
Edited by Azizi Powell

"The Black Cat Piddled In The White Cat's Eye" is part pf a floating verse that is found in 19th century American minstrel songs. That verse & some of those songs probably were originally, at least in part, of African American (Southern plantation) origin.

"The Black Cat Piddled In The White Cat's Eye" is also the title of a 19th century Australian dance tune. There's little doubt that that tune is derived from American minstrel, as White blackfaced minstrel performer Dan Emmett & other American White (and Black) blackfaced minstrels toured Australian in the those decades.

There are also children's rhymes in England about a black cat piddling [peeing] in a white cat's eye. Those rhymes are also derived from American minstrelsy since White (and also Black) blackfaced minstrel troupes toured that country in the 19th century & popularized minstrel songs there & elsewhere (such as in South Africa).

This post showcase selected videos of instrumental pieces of that "Black Cat..." song. This post also showcases selected videos of the song "Jim Along Josie" which include a "Black Cat..." verse.

This post also serves as a companion to this page of my Cocojams website that provides information about that song: http://cocojams.com/content/discussion-song-black-cat-piddled-white-cats-eye

The content of this post is presented for folkloric, cultural, entertainment, and aesthetic purposes.

All copyrights remain with their owners.

****
FEATURED VIDEOS OF "BLACK CAT PIDDLED IN THE WHITE CAT'S EYE"
(These videos are posted in chronological order with videos with the oldest dates posted first.)

Video #1: Black Cat Piddled in the White Cat's Eye



CharltonSoundUploaded on May 7, 2008

Fiddlers' Tour jam session at Muddy Cup Cafe, Schenectady NY. This is a Tazmanian tune, brought to the states by one of the session's fiddlers who took up residence "down under." She takes the prize for the person who has traveled the farthest just to get to a jam.

****
Video #2: Black Cat Piddled in the White Cat's Eye, Frances Folk Gathering 2009



Dmentias, Uploaded on Feb 22, 2009

Black Cat is an Australian collected tune from the Cape Barren islands in Bass Straight. Catchy and fast and popular at sessions or wherever folk musicians meet. This version is played in G the most popular key for the area.

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Video #3:Jenny Lind Polka/The Black Cat Piddled in the White Cat's Eye



warren fahey, Published on Apr 18, 2012

Performed by Warren Fahey's Australian Bush Orchestra

Jenny Lind was the world's first international singing star and was known as 'The Swedish Nightingale'. By the 1850s goldrush she was well-known in Australia and was the gold miner's fantasy - they even named their mining cradles for her. The polka was extremely popular for bush dances. The 'Black Cat Piddled in the White Cat's Eye' is another well-known Australian bush dance tune. The Australian Bush Orchestra album is available on iTunes (ABC Music). Clip editing by Mic Gruchy. For more info on Australian folk music warrenfahey.com ALSO view our other clip 'Old Dan Tucker in Australia'

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FEATURED VIDEOS OF JIM ALONG JOSEY

Video #1: Jim Along Josie



tmasei, Uploaded on Nov 23, 2009

****
Video #2: Coon Creek Girls - Jim Along Josie



J. A. Stump, ploaded on Dec 1, 2010

http://en.wikipedia.org/wiki/Coon_Creek_Girls
"The Coon Creek Girls were a popular all-girl "string band" in the Appalachian style of folk music (a precursor of country music) which began in the mid-1930s. Created (and named) by John Lair for his Renfro Valley Barn Dance show, the band originally consisted of sisters Lily May and Rosie Ledford (from Powell County, Kentucky) along with Esther "Violet" Koehler (from Indiana) and Evelyn "Daisey" Lange (from Ohio)…
In 1939, when King George VI and Queen Elizabeth visited the White House of President Franklin D. Roosevelt, there were numerous musical acts, including Lawrence Tibbett, Marion Anderson, and Kate Smith. Also included were a troupe of Bascom Lunsford's square dancers, and the Coon Creek Girls.[1]
Years active: 1937–1957"
-snip-
Another video of this same song indicates that it was recorded in the 1940s or 1950s.

****
ADDENDUM - INFORMATION ABOUT "JIM ALONG JOSIE" & LYRICS TO THAT SONG AS PERFORMED BY THE COON CREEK GIRLS
From http://richardmattesonsblog.blogspot.com/2008/11/jim-along-josie.html
"[Leader of the Coon Creek Girls singing group] Lily May was not only an authentic mountain girl who interpreted the real songs from her region but she had a natural feeling for bluesy songs of African-American origin...

Many of the hillbilly songs were passed around from both white and black sources and the first big hillbilly star was Jimmie Rodgers, a white interpreter of the blues. Bill Monroe was strongly influenced by a black guitarist. Other Kentucky hillbilly artists like the Carlisle Brothers reveled in the magic of the blues even to an extent where their racy lyrics were considered to be offensive by listeners in their region.

With this background information, let's look at the Coon Creek Girls (led by Lily May) version of Jim Along Josie:

JIM ALONG JOSIE by the Coon Creek Girls

Banjo

Down in Mississippi as you well know
There’s a song named Jim Along Joe
Folks call out when the bell does ring
And this is the song that they do sing:

Chorus: Hey get along, Jim along Josey,
Hey get along, Jim along Joe! (REPEAT optional)

Banjo

Sister the other night did dream,
She was floating up and down the stream
When she awoke she began to cry,
And the white cat scratched out the black cat’s eye.

Chorus: Hey get along, Jim along Josey,
Hey get along, Jim along Joe!

Chorus: Hey get along………, Jim along Josey,
Hey get along……………, Jim along Joe!

...NOTES: AABB form and also AB form (the verse being only two lines instead of four). Original sheet music (1840) key of C. “Jim Along Josey” is a minstrel song written by Edward Harper around 1838. It is not clear if the song was in the African-American tradition before 1838 and adapted by Harper or whether it was an original composition. I suspect Harper rewrote (adapted) the song from traditional sources.

In the title "Jim Along Josey" the word- Josey, is used as a name (could be a man's or woman's name) The word "Josey" is an African-American dance step. The word, Jim, is not really used for a name. "Get Along Josey" could just as easily be substituted for "Jim Along Josey." There is one version entitled, "Git Along Josie."...

There are two distinct versions:

The Minstrel Version: Based on the Harper 1838 version which entered the folk process and eventually changed the number of verses from 4 verses to two verses. Other verses were created and added to the mix.

The Play Party Version: The first word in the chorus line is changed- Hey jim along, jim along Josie/Walk jim along, jim along Josie/Hop jim along, jim along Josie, etc.
-snip-
Also, a "josie" (a "joseph") was the name of a woman's cloak (coat).
From a comment that I posted in 2004 on this Mudcat Cafe discussion thread: http://mudcat.org/thread.cfm?threadid=52464#1233225:
[quoting] "John Russell Bartlett, The Dictionary of Americanisms (New York Crescent Books, originally published 1849.) "Joseph, a very old riding coat for women, scarcely now to be seen or heard of-Forby's Vocabulary. A garment made of Scotch plaid, for an outside coat or habit, was wornin New England about the year 1830, called a Joseph by some a Josey.
Olivia was drawn as an Amazon, sitting upon a bank of
flowers, dressed in a green Joseph.
-Godsmith, Vicar of Wakefield."

****
Thanks to all those who composed these songs & those who are featured in these videos. Thanks also to the publishers on YouTube of these videos.

Thanks for visiting pancocojams.

Visitor comments are welcome.
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Posted in 19th century African American dance songs, American folk songs, Australia, Children's rhymes and cheers, minstrel songs, United Kingdom | No comments

Tuesday, October 2, 2012

"La Pas Ma La" Songs & Dance

Posted on 11:33 AM by Unknown
Edited by Azizi Powell

This post provides a compilation of information from various online sources about the late 19th century songs entitled "La Pas Ma La". There was also at least one dance called "La Pas Ma La", although the cakewalk was also done to these songs and to their instrumental music.

The content of this post is presented for historical and folkloric purposes.

All copyrights remain with their owners.

[update 12/30/2012 given as Comment #6]

****
INFORMATION ABOUT LA PAS MA LA
Comment #1
*From http://en.wikipedia.org/wiki/Ernest_Hogan
Ernest Hogan (born Ernest Reuben Crowdus; 1865 – 1909) was the first African-American entertainer to produce and star in a Broadway show (The Oyster Man in 1907) and helped create the musical genre of ragtime...He was born Ernest Reuben Crowders, in the Shake Rag District of Bowling Green, Kentucky, in 1865. As a teenager, he traveled with a minstrel troupe called the Georgia Graduate, where he performed as a dancer, musician, and comedian. During this time he changed his name to Hogan because "Irish performers were in vogue." Hogan likely performed in blackface during this time, as he sometimes did later in his career.

Hogan created a comedy dance called the "pasmala", which consisted of a walk forward with three steps back. In 1895, he wrote and published a song based on this dance called "La Pas Ma La". The song's chorus was:
Hand upon yo' head, let your mind roll back,
Back, back back and look at the stars
Stand up rightly, dance it brightly
That's the Pas Ma La.
-snip-
Although there may be no connection, the dance movements for the Yoruba (Nigeria) orginated dance for the Ibejis (twins) is very similar to the description given for "La Pas Ma La". Click http://cocojams.com/content/ibeji-songs-lyrics-information-commentsfor a description of the Ibeji dance.

****
Comment #2
From http://books.google.com/books?id=kPJZTJtz1IwC&pg=PA444&lpg=PA444&dq=la+pas+ma+la&source=bl&ots=_8SvX8RPBR&sig=py7tVa2r1iU8YPZYhrnTXHpHDdY&hl=en&sa=X&ei=k9FgUNmWJae30AGGy4E4&ved=0CEQQ6AEwBQ#v=onepage&q=la%20pas%20ma%20la&f=false
Out of Sight: The Rise of African American Popular Music, 1889-1895 By Lynn Abbott, Doug Seroff
Page 444
“The Possum A La” or “Pas Ma La” is generally considered to have a “characteristic” African American folk dance. The title appears to be a phonetic corruption of a colloquial French term. Music historian Isaac Goldberg speculated in 1930 that it derived from “the French pas mele or mixed step. One 1895 sheet-music version is sub-titled “La Das [sic] Pas Malaise” (The Difficult Step).

“The Pas Ma La” may have been the dance pointed out by a correspondent from Louisville, Kentucky, in the April 1, 1893, edition of the Freeman, “Prof. J.T. Guillard, a dance master , lectured to young ladies and gentlemen about the dance called “Possum”. It is likely that Guillard was admonishing his pupils to refrain from indulging in this low- brow, up-from-under dance. Several months later, in 1894, Irving Jones introduced his sheet music of “Possumala Dance” which ragtime historians had cited for its “few measures of real ragtime scoring”...

Irving Jones’ “Possumala Dance” appears to have been the first of a run of sheet music renditions of “Pas Ma La”...

Page 434
[In 1895 Earnest Hogan] wrote a drama called “In Old Tennessee” in which he introduced his famous song “Pas Ma La” – being the first ragtime song published. [Hogan] then followed [that song’ with world famous hit “All Coons Look Alike To Me”.

Page 484
[There is a] 1901 Reference to the “pas ma la” cakewalk” in [a] newspaper report of an Uncle Tom’s Cabin show. The song “Rag Ma La” was also mentioned in that report... [A] 1908 report of another “rag” called “Plant City Ragmala”. Also information of another song called “Dance The Georgia Poss” and a field recording from the Library of Congress collection “Possum-ala as sung by Anne Brewer of Montgomery, Alabama in 1937.
-snip-
These excerpts are quoted without notations. In later years, Hogan is reported to very much regret composing the "All Coons Look Alike To Me" song. [As indicated on Hogan's Wikipedia page given below.]

"Rag" here means a song composed in the Ragtime music style.

****
Comment #3
http://digitalgallery.nypl.org/nypldigital/dgkeysearchdetail.cfm?trg=1&strucID=463903&imageID=1255446&total=5&num=0&word=Dance%20%2D%2D%201890%2D1899&s=3¬word=&d=&c=&f=2&k=0&lWord=&lField=&sScope=&sLevel=&sLabel=&sort=&imgs=20&pos=2&e=w

"La Pas Ma La" by Ernest Hogan, 1895. Set to a habanera rhythm, labeled by some as "the first rag-time song", it contains some distinctly "New Orleans" characteristics."
-snip-
Here are the words that are shown on this cover of the sheet Music Of "La Pas Ma La":
"La Pas Ma La / words and music by Ernest Hogan. [Fus you say 'my ni**ah' git you gun, shoota dem ducks an' aw...] ([c1895])
-snip-
The "n word" is fully spelled out.

Here's my description of that cover drawing:
The sheet music cover (poster?) shows three well dressed middle age to elderly Black adults. One woman is standing in between two men. Each of the people are leaning forward (bowing to greet someone?) One of the men and the woman are holding their head up, with their right hand pointed in front and their left hand held behind their back. The other man is shown holding a top hat with his head bowed lower than the other people. His left knee is also bent more than the others.

****
Comment #4
http://www.squareone.org/Hapa/m21.html
This site presents information about the 1898 song "My Honolulu Lady" by Lee Johnson.
The sheet music calls this song "The Latest Coon Conquest." Coon songs were songs performed by white men in black face (as in minstrel shows and Al Jolson's work).

Sheet Music: Zeno Mauvais Music Company (San Francisco)
DESCRIPTION:
The music begins as a schottische, followed by a chorus, and then a 16-bar section called "Hawaiian Pas-ma-la" which is another term for cake walk.

The singer has decided to leave his Alabama girl for Honolulu Lou. Then he's going back to Alabam and "show dem coons and wenches style and grace that is divine, when we both pass down de line.... We cut de pigeon wing, de coons did shout and sing, when we did de Honolulu Pas-ma-la. Den we glided by de judge's stand; de coons and wenches sighed. When my Lou she took first prize."

****
Comment #5
http://people.ischool.berkeley.edu/~mkduggan/dance.html
Dance in California Sheet Music
"Cakewalk, or Pas-ma-la "My Honolulu Lady" by Lee Johnson includes a dance at the end entitled Pas-ma-la, or Cakewalk. A photo of the "Newsboys' Quintette" that performed the piece is included on the last page of the digitized images of "Rosie Cleary," also by Lee Johnson."

****
Comment #6
http://john-adcock.blogspot.com/2012/04/ernest-hogan-unbleached-american.html Yesterday's Papers "Ernest Hogan, the Unbleached American", April 15, 2012

Hat tip to John Adcock for his alerting me to his blog post on Ernest Hogan. In addition to the information and lyric excerpt that are quoted below, that blog post presents another small tidbit of information about "Pas Ma La" as well as information & contemporaneous comments about Ernest Hogan, and about other songs that Hogan composed such as "All Coons Look Alike To Me".

Quote from the Yesterday's Papers blog post:
"Pas Ma La’ was said to be the first ragtime song ever written. Hogan had composed the song while working as a piano player in Kansas City.

The latest craze in town,
And it’s known for miles around,
It’s a daisy, sets you crazy,
Where’er it can be found,
It am the latest dance,
With others it stands par,
And with your kind attention,
We’ll do the Pas-ma-la.


****
FEATURED VIDEOS:
Here are two instrumental renditions of "La Pas Ma La":
(These videos are presented in no particular order).

Video #1: Ragtime Skedaddlers "La Pas Ma La" by Ernest Hogan



Uploaded by nicholaskrobinson on May 9, 2009

...The Ragtime Skedaddlers play "La Pas Ma La" by Ernest Hogan at the Festival of the Mandolins in San Francisco, April 26, 20009. Nick Robinson (mandolin), Dennis Pash (banjo-mandolin), Dave Krinkel (guitar).

****
Video #2: Tune #4 - With Pash, Sanders, VanWinkle & Brune


Uploaded by tdub1941 on Dec 19, 2006

Tune Title is: "LA PAS MA LA." Written by ERNEST HOGAN

Here's a comment from that video's viewer comment thread:
"The tune is "La Pas Ma La." The final published version was by Ernest Hogan (1896), but it was based on several previous similar tunes with similar names (e.g., "Pas Ma La Dance" by Irving Jones, 1895). It is considered to have originally been an African American folk dance.
-grandrag, 2008

****
AKNOWLEDGEMENTS AND THANKS
Thanks to the composers of these songs, and creators of these dances. Thanks also to those whose comments are quoted in this post, and those who are showcased in these featured videos. Thanks also to the uploaders of these videos.

Thanks for visiting pancocojams.

Visitor comments are welcome.

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Posted in African American dances, African American music, minstrel songs | No comments
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Blog Archive

  • ▼  2013 (322)
    • ▼  September (18)
      • Pluto Shervington - Ram Goat Liver
      • Lord Nelson - King Liar (Calypso sound file, lyric...
      • Sundaygar Dearboy - Ma Ellen Give Them Pressure (v...
      • Down In The Canebrake (Lyrics, Sound File, & Comme...
      • Four Examples Of "Senzeni Na?"
      • Various African Funeral Customs Including South Af...
      • Colors Associated With Funerals In Ghana, West Africa
      • Wearing Red Dresses For Mourning (Song Examples & ...
      • Christy Essien Igbokwe - Seun Rere (videos, commen...
      • Examples Of The Line "We Don't Die We Multiply"
      • Peckin - Dance Movement & Jazz Compositions
      • "A Tisket A Tasket" (information, lyrics, and video)
      • "The Old Black Booger" Folk Song (information, com...
      • Racially Derogatory Variants Of Old Shoe Boots And...
      • Gus Cannon - Old John Booker You Call That Gone (i...
      • The Old Time Music Song "Johnny Booker" - (Informa...
      • Seven Videos Of Drum Solos By African American Dru...
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