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Monday, July 16, 2012

Fats Waller - Shortnin Bread (Sound File, Lyrics, Comments)

Posted on 9:37 AM by Unknown
Edited by Azizi Powell

This post showcase Fats Waller's 1941 version of the song "Shortnin Bread".

The content of this post is presented for folkloric, entertainment, and aesthetic purposes. All copyrights remain with their owners.

My thanks to Fats' Waller, and the other vocalists and musicians featured in this sound file. My thanks also to the YouTube uploader of this sound file.

FEATURED SOUND FILE
Fats Waller - Shortnin' Bread



Uploaded by TheBluesfan12 on Nov 17, 2010

LYRICS: SHORTNIN BREAD
(Fats Waller - 1941)

Chorus
Shortnin bread.
Shortnin bread.
Shortnin bread.
Mama’s gonna make some shortnin bread.

Shortnin bread.
Shortnin bread.
Shortnin bread.
Mama’s gonna make some shortnin bread.

Verse #1
Get that wood out out of the shed.
Oh mercy! Lookee there.
Boys, mother’s gonna make some shortnin bread.*

Verse #2
Two Senegambians** layin in bed.
One turned over to the op*** and said
“Fine, fine, fine fine bread”
Spoken “Serve it. Serve it mama. Serve it!”

Verse #3
Hey delivery man, where have you been?
Oh mercy, it sure is a sin.
Mama mama don’t be fast.
Do not show your big fine……shortnin bread.

Chorus

Instrumental portion

Yelled over instruments playing
Come on mama!
Open it up!
Open it!

Spoken at the end of the recording
What kind of bread is that?
It must be good bread.

[Transcription by Azizi Powell, July 16, 2012 from sound file]

*Shortnin bread = also known as 'shortening bread' is bread mixed with bacon bits or bacon gravy. "Shortnin bread" was sometimes called 'cracklin' bread.

**Senegambians = a general referent for "Black people"

*** turn over to the op = [a vernacular way of saying "turned over to the other", with "op" [pronounced "ohp" and meaning the word "other"]

(Thanks William for your comment below that emphasizes this point.)

MORE NOTES ON THESE LYRICS
In a number of ways Fats Waller's Shortnin Bread significantly diverges from the song as attributed to the early 20th century United States black faced minstrel and/or southern African American folk tradition. In contrast to those who adhere to the traditional words of the song, the African American jazz artist Waller pointly doesn't use the referent "mammy", a word which had come to be seen [at least by Black people] as disrespectful to Black women. Instead Fats Waller used the words "mama" and "mother". Furthermore, as another sign of respect for Black people, Waller uses the African geographical/cultural term "Senegambians" to refer to the people laying in the bed. Click http://www.accessgambia.com/information/senegambia-meaning.html for information about "Senegambia". In most versions of "Shortnin Bread" that line is usually now given as "two little children" or "two little boys" laying in bed. However, previously that same line was given as "two little chilluns" and even earlier what is now known as "the n word" was used instead of the words "black boys".

What isn't recognized about the traditional versions of "Shortnin Bread" is that the story is about Black children suffering from near starvation. That is why the boys are laying in bed "one just sick and the other 'most dead". That is why the doctor recommends that they be fed shortnin bread, and that is why the boys are revived after eating that bread.

With regard to that point, I believe that it's important to recognize that the large number of 19th century African American slave songs that mention chicken pies, or stealing the master's chicken, and shortenin bread and other such songs that mention food point back to the insuffient rations that those enslaved people had. And if, as some people indicate, the song "Shortnin Bread" was a post slavery composition (the first composition being collected in the early 20th)*, the nutrition levels for many Black people living in the South weren't that much better after slavery ended.

Rather than focus on children laying in bed near starvation, in verses #2 & #3 Fats Waller departs from the traditional "Shortnin Bread" storyline by adding sexual allusions. In both of those verses, the term "mama" is used in placed of "woman". In verse #2, the implication is that a man and a woman are laying in bed and the woman's buttocks referred to as bread. And verse #3 uses the then popular profanity avoidance technique of setting up a rhyme that ends with a taboo word but then saying a politically correct word. In that line the word "ass" is the obvious word that rhymes with the word "fast". The remainder of the song continues this sexual allusion with plausible deniability up until the very last lines of the song when Waller asks "What kind of bread is that? It must be very good bread".

I'm not sure how many people recognize how risque this Fats Waller song is. But, in my opinion, this type of risque song is far preferable to the just come right out and say it songs about sex of the early 21st century.

*http://mudcat.org/thread.cfm?threadid=51174 The folk song "Shortnin Bread" was first collected from "Tennessee mountain whites" in 1912.

RELATED LINKS
Click http://cocojams.com/content/food-beverages-mentioned-thomas-w-talley%E2%80%99s-negro-folk-rhymes for a page on my cultural website for a text version of "shortnin' bread" and other songs/rhymes that mention food & beverages in Thomas W. Talley's 1922 book Negro Folk Songs: Wise & Otherwise

****
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Posted in African American music, Jazz, shortnin bread | No comments

Wednesday, July 11, 2012

Delta Rhythm Boys and The Andrews Sisters - Gimme Some Skin My Friend (Videos & Lyrics)

Posted on 5:56 AM by Unknown
Edited by Azizi Powell

This post showcases videos and lyrics of the 1940s Jazz song "Gimme Some Skin, My Friend" that was first sung by the African American group The Delta Rhythm Boys and then adapted & sung by the Anglo-American trio The Andrews Sisters. Both of these songs appear to be instructional in nature, implying that "giving some skin" may have been a new custom, at least outside of African American communities.

This content of this post is presented for historical, folkloric, entertainment, and aesthetic purposes. All copyrights remain with their owners.

My thanks to the composers, vocalists, musicians, and producers of these film clips. My thanks also to the uploaders of these clips.

FEATURED VIDEOS
The Delta Rhythm Boys - Gimme Some Skin My Friend



Uploaded by SyberkaPL on Nov 15, 2008

Next excellent song by the Delta Rhythm Boys!
-snip-
This recording by The Delta Rhythm Boys song was first released in March 1940.
Source: http://www.vocalgroup.org/inductees/delta_rhythm_boys.html

LYRICS: GIMMY SOME SKIN MY FRIEND
(Composer ?; as sung by The Delta Rhythm Boys)*

Spoken: Voice #1: I dig this jive now, man
Voice #2: Yeah! Yeah!
Voice #3 Come on who's this [?]

[Sung]
Ah gimmy some skin.
You dig me.
Gimmy some skin.
It’s easy.
Ah gimmy some skin.
All you do, Jack
Is slip your hand in mine.

Well gimmy some skin.
Hold hands out.
Gimmy some skin.
Then you’ll shout
Ah gimmy some skin.
You’ll know you
met a pal that’s really fine, boys.
Shakin hands is all taboo
when you come to Harlem town.
Boy!
There is one thing you must do.
Don’t be ah break down.

Gimmy some skin.
Do uptown.
Gimmy some skin.
To your gal.
Gimmy some skin.
Now you know how.
Come on and fall in line.

Voice #1 [spoken] Yeah!
Voice #2 [spoken/rapping] – Now the thing is very graceful [?] and is easy to do.
Why do you ball uptown and meet some jive and do [?]
You’ll find the hep cats do’s it and even squares
If you don’t dig it, you ain’t nowhere.
If you said something clever or tell a big lie
Or catch a fly wink from ah chick passin by.
When you know you’re so sharp in the game that you play.
You’re so smooth, they got to say

Well, gimmy some skin.
You dig me.
Ah gimmy some skin.
It’s easy.
Ah gimmy some skin.
All you do, Jack, is slip your hand in mine.

Well gimme some skin.
Hold hands out.
Gimmy some skin
then you’ll shout
Gimmy some skin
You’ll know you
met a pal that’s really fine, boy.

Oh who would ever knew that shaking hands was so taboo.
No matter who
They all give skin.
Soon in Argentina and in Porta Catalina
They’ll all be sayin

Well gimme some skin
Well in a while it will be the style
Gimmy some skin
The whole world hip to a fad that is the style.
Gimmy some skin.
It’s the new beat
It’s the swing when you sing
My pal, my gal
My skin.
And you are my friend
Gimmy some skin!

-snip-
*Transcription by Azizi Powell, 7/11/2012 from the video. Corrections and additions are welcome. A question mark within brackets means that I'm uncertain what was said or sung. I used the spelling "gimmy" for the word "gimme" (give me) as it was spelled that way in the title given in the film clips.

-snip-
I consider the spoken lines in this song to be an early example of rap.

Notice the backhanded "low five" (skin) at 1:50.

****
FEATURED VIDEO: Andrews Sisters - Gimme Some Skin, My Friend



Uploaded by aSmokersDelightI on May 8, 2007
-snip-
This film clip is from the 1941 American movie In The Navy starring Abbott & Costello.

****
LYRICS: GIMME SOME SKIN MY FRIEND
Gene Vincent De Paul (music) Don Raye (lyrics), 1941
as recorded by The Andrews Sisters, 1941

You like my smile,
You like my style,
Well, why don't you make me know it?
You like my walk,
You like my talk,
Well, there's only one way to show it!

If you want to shake my hand
like they do it in Harlem,
Stick your hand right out and shout,
"Gimme some skin, my friend!".

Step right up and take your stand,
You don't have to be timid!
Stick your hand right out and shout,
"Gimme some skin, my friend!".

Smack it!
Wack it!
Let your hand rotate.
Show it!
Blow it!
Put it in your pocket till a future date!

If you want to shake my hand
like they do it in Harlem,
Stick your hand right out and shout,
"Gimme some skin, my friend!".

If you like my style,
Well show it!
If you like my smile,
Let me know it!
If you like my walk,
Please tell me!
If you like my talk,
Well, skin me papa, skin me!

If you want to shake my hand
like they do it in Harlem, baby,
Stick your hand right out and shout,
"Gimme some skin, my friend!".

Step right up and take your stand,
You don't have to be timid, baby!
Stick your hand right out and shout,
"Gimme some skin, my friend!".

Smack it!
Wack it my friend!
Let your hand rotate.
Show it!
Blow it!
Put it in your pocket till a future date!

Step right up (what for?) and shake my hand,
Like they do it in Harlem today, (how do they do it?)
just stick your hand out and give out with the shout,
"Gimme some skin, my friend!".

If you want to shake my hand
like they do it in Harlem,
Stick your hand right out and shout,
"Gimme some skin,
Gimme some skin,
Gimme some skin, my friend!".

Source: http://lyricsplayground.com/alpha/songs/g/gimmesomeskinmyfriend.shtml

****
RELATED LINK
http://pancocojams.blogspot.com/2012/05/five-on-black-hand-side-handshake.html Five On The Black Hand Side [Part I of a four part series on African American hand shakes].

Thanks for visiting pancocojams.

Viewer comments are welcome.
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Posted in body gestures, gimme skin, Jazz, White American covers of songs recorded by Black artists | No comments

Tuesday, July 10, 2012

Lady Love Iwueze featuring Destined Kids - Che Ne Me Mma (Video & Lyrics)

Posted on 6:24 PM by Unknown
Edited by Azizi Powell

This post presents a video & lyrics of the Nigeria Gospel group Destined Kids and their mother Lady Love Iwueze. This post also provides some information about this Nigeria Gospel group.

My thanks to the composer of this song Deacon Stephen Iwueze. Thanks also to the vocalists Lady Love Iwueze and Destined Kids (Destiny Kids). My thanks also to the videographer and the uploader of this video.

All rights remain with their owners.

INFORMATION ABOUT DESTINED KIDS
"Destined Kids" is group of six siblings who sing Gospel music. The Onitsha, Nigeria based group is also known as "Destiny Kids". "Destined" may be a result of faulty English.

According to http://www.nairaland.com/253368/fans-onitsha-based-destined-kids-lets, the father of the group Deacon Stephen Iwueze, is "the composer of all the songs of the Destiny Kids". That 2009 blog post also identified then 13 year old Rejoice Iwueze as the "lead vocalist of the Destiny Kids". That blog post also indicated that Rejoice Iwueze continued to sing with her siblings but also recorded a solo Gospel song.

http://www.boysoloist.com/artist.asp?VID=4983 included the names of two more members of that brother & sister Gospel group: Joshua and Caled Iwueze.

Unfortunately, to date, I've not found any other information about this group or about this song. I added a comment on this video's YouTube comment thread asking for more information about this song and this group. When I receive responses to that query, I'll add it to this post.

****
FEATURED VIDEO: Che ne me mma



Uploaded by 9ija4life on Jul 1, 2009

Lady Love Iwueze ft Destined Kids

****
LYRICS: CHE NE ME MMA *
(Deacon Stephen Iwueze)

I thank God, He is a good working God
I thank God, He answers prayers.
Thank God he is the rock of Zion.
Thank God for fulfilling all of his promises.

I thank God, He is a good working God
I thank God, He answers prayers.
Thank God he is the rock of Zion.
Thank God for fulfilling all of his promises.

Thank him, thank him, thank him.
he is a good working God
Thank him, thank him, thank him.
he is God that answers prayers.

Thank him, thank him, thank him.
he is a good working God
Thank him, thank him, thank him.
he is God that answers prayers.

I thank God, He is a good working God
I thank God, He answers prayers.
Thank God he is the rock of Zion.
Thank God for fulfilling all of his promises.

Fine God, speaker of the whole world.
Father of the fatherless, You are God of all the gods. you have keys of life and death.
you own the whole world. and all that is in the world and under the world are in your hand.

Fine God, speaker of the whole world.
Father of the fatherless, You are God of all the gods. you have keys of life and death.
you own the whole world. and all that is in the world my dady.**[English correction: "daddy"]

I thank God he is a good working God.
I thank God, He answers prayers.
Thank God he is the rock of Zion.
Thank God for fulfilling all of his promises.

Thank him, thank him, thank him.
he is a good working God
Thank him, thank him, thank him.
he is God that answers prayers.

Thank him, thank him, thank him.
he is a good working God
Thank him, thank him, thank him.
he is God that answers prayers.

I thank God, He is a good working God
I thank God, He answers prayers.
Thank God he is the rock of Zion.
Thank God for fulfilling all of his promises.

My Daddy, you are a good shepherd.
Fountain of life, pool of Bathsida.
Giver of life, giver of child, and giver of wealth.
God the healer, thanks be to you.

My Daddy, you are a good shepherd.
Fountain of life, pool of Bathsida.
Giver of life,giver of child, and giver of wealth.
God the healer, thanks be to you.

I thank God, He is a good working God
I thank God, He answers prayers.
Thank God he is the rock of Zion.
Thank God for fulfilling all of his promises.

Thank him, thank him, thank him.
he is a good working God
Thank him, thank him, thank him.
he is God that answers prayers.

Thank him, thank him, thank him.
he is a good working God
Thank him, thank him, thank him.
he is God that answers prayers.

I thank God, He is a good working God
I thank God, He answers prayers.
Thank God he is the rock of Zion.
Thank God for fulfilling all of his promises.

Jehovah Shama, you are mighty in battle.
You go to war without a physical weapon
beginning and the end Mighty in battle, you’re the Alpha and Omega.
Eye that beholds the whole world. God our confidence

Jehovah Shama, you are mighty in battle.
You go to war without a physical weapon
beginning and the end Mighty in battle, you’re the Alpha and Omega.
Eye that beholds the whole world. God our confidence

I thank God, He is a good working God
I thank God, He answers prayers.
Thank God he is the rock of Zion.
Thank God for fulfilling all of his promises.

Thank him, thank him, thank him.
he is a good working God
Thank him, thank him, thank him.
he is God that answers prayers.

Thank him, thank him, thank him.
he is a good working God
Thank him, thank him, thank him.
he is God that answers prayers.

I thank God, He is a good working God
I thank God, He answers prayers.
Thank God he is the rock of Zion.
Thank God for fulfilling all of his promises.

I thank God, He is a good working God
I thank God, He answers prayers.
Thank God he is the rock of Zion.
Thank God for fulfilling all of his promises.

-snip-
*I believe that this group sings in the Igbo language.

These English translated lyrics were superimposed on the bottom of the video's screen. I've written these lyrics as they appeared in the video with some guessing about the lines of each verse.

**probable English correction: "daddy"

****
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Posted in Nigerian Gospel music | No comments

Monday, July 9, 2012

Shared Aesthetics: West African Dozo Hunters & Chicago Footwork

Posted on 4:57 PM by Unknown
Edited by Azizi Powell

Earlier this year I published this post on the similarities between certain Ivory Coast, West Africa mask dances and an African American hiphop dance called "Chicago footwork": http://pancocojams.blogspot.com/2012/02/shared-aesthetics-ivory-coast-mask.html "Shared Aesthetics: Ivory Coast Mask Dances & Chicago Footwork".

I wrote in that post that "... the similarities between how the Djoanigbe & Zaouli masking tradition dances and the African American "Chicago footwork" dance are performed- including the fast footwork and one individual at a time dancing within a circle made up of onlookers & dancers- causes me to wonder if a valid case could be made that African Americans' aesthetic preference for certain forms of dance are genetically influenced by our unconscious remembrances of similar traditional African dances.

Yesterday, I happened upon another video of West African dancers performing fast footwork done by members of the Dozo (Donso) hunters group of Mali, West Africa. According to http://en.wikipedia.org/wiki/Dozo "The Dozo (also Donzo, Bambara for hunter, pl. donzow) are traditional hunters in northern Ivory Coast, southeast Mali, and Burkina Faso, and members of a co-fraternity containing initiated hunters and sons of Dozo, called a Donzo Ton. Not an ethnic group, the Dozo are drawn mostly from Mandé-speaking groups, but are also found among Dyula-speaking communities and most other ethnic groups in Ivory Coast. Dozo societies increased in the last decades of the twentieth century, and Dozo groups came into political prominence during the Ivorian Civil War."

-snip-

Click http://www.africanoutfitter.com/backissues/2007/junejuly/selfguidedhunting.php for more information on the West African Dozo hunters.

The same statements that I made about the Ivory Coast masked dances & Chicago footwork (and other African American fast footwork dances including "the mash potato", breakdancing, krumping, and more) could be made about the Dozo hunters dance.

Generalities about African American dances being influenced by "traditional African dances" bug me. Africa is a HUGE continent. If a particular African American dance might be influenced by a traditional African dance, it would be helpful if that traditional dance would be identified by its ethnic group, nation, and more.

As I indicated in the previous "Shared Aesthetic" post, by presenting examples of the African dance and the African American dance, I'm not saying that their meanings and purposes are the same. What I am saying is that they share performance and aesthetics.

My thanks to those featured in the videos, to those who uploaded these videos. All copyrights remain with their owners.

FEATURED VIDEO: DOZO HUNTERS
Sekouba Traore

Uploaded by kaarta223 on Dec 11, 2011

-snip-
Times for scenes of fast footwork in the video:
6:42 -9:27; 28:15; and 41:04-48:54

****
FEATURED VIDEO: CHICAGO FOOTWORK

Creation & Havoc vs Terra Squad Leaders (Wala Cam) www.walacamtv.com



Uploaded by WALACAM on Jul 1, 2010

-snip-

Here's some information about Chicago footwork from http://www.npr.org/blogs/therecord/2011/05/11/136209254/footwork-chicago-dance-music-with-a-need-for-speed:

"Since the mid-'90s, a style of dance and a genre of music that share the name footwork have been livening up parties and late-night public access TV in Chicago. Now footwork is reaching beyond its hometown over YouTube and through local and European music promoters."

-snip-

Click http://en.wikipedia.org/wiki/Footwork_(Chicago) for more information about Chicago footwork. That Wikipedia article indicates that "Footwork is a style of related music and street dance that originated in Chicago.[1] The dance involves fast movement of the feet with accompanying twists and turns, and usually takes place as part of a "battle".[2] The music style has evolved from an earlier musical style, juke, a change pioneered by R.P. Boo.[2] The style was popularised outside Chicago by inclusion in the music video for Dude 'n Nem's 2007 single "Watch My Feet".[3]"

ADDENDUM
With regard to the Dozo hunters, I'm struck by the similarity between the ceremonial fly wisk that many of the hunters in the procession shown in the featured video carry in one hand, and the large feathered fan or some other ornament that is carried by members of the New Orleans Social Aid & Pleasure Clubs (SAPCS). Click http://www.jambalayah.com/node/1145 for videos of those New Orlean Social Aid & Pleasure Club parades. Here's one video that is featured on that compilation post from my Jambalayah website:

Keeping It Real 2010 Second line Parade rolling on St. Bernard with The Hot 8 Brass Band



uploaded by BigRedCotton on Apr 22, 2010

-snip-
Also, I'd love to identify the type of processional dancing/strutting done by the Dozo Hunters. I'm tempted to compare that movement with New Orleans Social Aid & Pleasure Clubs (SAPCS), and second liners who join in those parades, but I'm not sure if the same type of dance/strutting steps are done during those two processional/parades.

-snip-

In addition, I wonder if the scene in which the Dozo dancer twirls his gun while dancing [at 43:47-44:00] is a traditional movement. If so, I wonder if this is a precursor of baton twirling by American (and other nations') drum majors and majorettes. Here's a link to a post on the roots of baton twirling that I published on my Cocojams website: http://cocojams.com/content/kongo-roots-baton-twirling "The Kongo Roots Of Baton Twirling".

-snip-
Finally, it occurs to me that the hats with the raffia hanging down that are worn by some of the Dozo hunters in that featured video remind me of Rastafarian dreadlocks. I just want to note that for the record.

RELATED LINKS
Here are two additional videos of Dozo hunters:
http://www.youtube.com/watch?v=siGCQfGm01kToba Seydou Traoré, Donso du Wassolon
**
Sibiri Samake - Music of the Hunters of Sebenikoro, Mali

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Posted in African American music and dance, Chicago Footwork, Dozo hunters, Mali, New Orleans culture | No comments

Sunday, July 8, 2012

Good Lord (Run Old Jeremiah) Ring Shout

Posted on 3:58 PM by Unknown
Edited by Azizi Powell

This post includes a song file & lyrics of the ring shout "Good Lord" (also known as "Run Old Jeremiah").

The content of this post is presented for historical, educational, and aesthetic purposes.

All copyrights remain with their owners.

My thanks to the unknown composer/s of that song. My thanks also to the vocalists who sung this song & the collectors who recorded and published this song.

Thanks also to the producers of these featured sound files & videos.

****
INFORMATION ABOUT RING SHOUTS
From http://historymatters.gmu.edu/d/5759/:
"“Run Old Jeremiah”: Echoes of the Ring Shout

Spirituals and work songs, rooted in both the slavery era and the West African societies from which most African-American slaves were originally taken, provided cultural sustenance to African Americans in the midst of intense racial oppression. Folklorists first began collecting traditional southern music in the late-19th century. By the 1920s and 1930s, John and Alan Lomax were recording southern musicians (African-American, white, and Mexican-American) for the Library of Congress. “Run, Old Jeremiah,” sung by Joe Washington Brown and Austin Coleman in Jennings, Louisiana, in 1934, was a ring-shout, a religious song using a West African dance pattern, where the performers shuffled single file, clapping out a complex counter-rhythm. The ring-shout was common during slavery and remained popular well into the 20th century as a means of emotional and physical release during religious worship. The lyrics of the ring-shout spoke of escape from the travails of the present."

****

LYRICS OF "GOOD LORD" (RUN OLD JEREMIAH)
[composer/s unknown]

Likely lyrics:

By myself. (5)
You know I've got to go.
You got to run.
I've got to run.
You got to run.
By myself. (3)
I got a letter, (2)
Ol' brownskin.
Tell you what she say.
"Leavin' tomorrow,
Tell you goodbye."
O my Lordy. (6)
Well, well, well. (2)
O my Lord. (2)
O my Lordy. (2)
Well, well, well. (2 )
I've got a rock.
You got a rock.
Rock is death.
O my Lordy.
O my Lord.
Well, well, well.
Run here, Jeremiah. (2)
I must go
On my way. (4)
Who's that ridin' the chariot? (2)
Well, well, well . . .

(New Leader:)

One mornin'
Before the evening
Sun was goin' down (3)
Behind them western hills. (3)
Old number 12
Comin' down the track. (3)
See that black smoke.
See that old engineer.
See that engineer. (2)
Tol' that old fireman
Ring his ol' bell
With his hand.
Rung his engine bell. (2)
Well, well, well. (2 )
Jesus tell the man,
Say, I got your life
In My Hand;
I got your life
In My Hand. (2 )
Well, well, well.
0l' fireman told,
Told that engineer,
Ring your black bell,
Ding, ding, ding,
Ding, ding, ding, ding.
0l' fireman say
——?—- -
——?—- -
——?—- -
That mornin',
Well, well, well, (2)
0l' fireman say,
Well, well,
I'm gonna grab my
Old whistle too.
Wah, wah, ho,
Wah, wah, wah, wah, ho,
Wah, wah, ho,
Wah, wah, wah, ho. (etc.)
Mmmmmmm
Soon, soon, soon,
Wah——— -o.
Well, well, well,
0l' engineer,
I've got your life
In my hands. (2)
Tol' your father, (2)
Well, well, well,
I was travellin', (2)
I was ridin' (3)
Over there. (2)
Ol' engineer.
This is the chariot. (2)

Source: Afro-American Spirituals, Work Songs, and Ballads, ed. Alan Lomax (Washington, D.C.: Library of Congress Archive of Folk Song, AFS L3). Sung by Joe Washington Brown and Austin Coleman at Jennings, Louisiana, 1934. Recorded by John A. and Alan Lomax.
http://historymatters.gmu.edu/d/5759/:

FEATURED SOUND FILE

Ring Shout: Good Lord (Run Old Jeremiah)



Uploaded by reverendmeds on Mar 30, 2011

By Austin Coleman, Joe Washington Brown & Group.
Alan Lomax field recording, 1934

****
RELATED LINK
http://pancocojams.blogspot.com/2013/05/african-american-ring-shouts-origins.html

****
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Standard African American Funeral Songs, Part I

Posted on 8:11 AM by Unknown
Edited by Azizi Powell

This is Part I of a two part series of standard songs for African American funerals.

Click http://pancocojams.blogspot.com/2012/07/standard-african-american-funeral-songs.html for Part II of this series.

I don't mean to imply that these are the only songs that are sung at home going ceremonies (funerals) for African Americans.

The content of this post is presented for religious and aesthetic purposes. The copyrights remain with their owners.

My thanks to the vocalists and musicians who performed in these videos. My thanks also to the composers, videographers, and uploaders of these featured videos.

****
FEATURED VIDEOS
(These videos are posted in no particular order.)

Video #1: The Caravans - Lord Keep Me Day By Day

Uploaded by DaSourcespr06, May 07, 2008

The Original version of The Caravans flagship song "Lord Keep Me Day by Day" feat. Eddie Williams. ca.1958

-snip-

"Lord Keep Me Day By Day" was written by Eddie Williams. Click http://www.youtube.com/watch?v=m5ucx-nzuZk for the lyrics to this song.

****

Video #2: Aretha FRANKLIN - "Precious Lord, Take My Hand" (1984/LIVE)

yaskam, Uploaded on Mar 23, 2009

Thanks to WADE ! Aretha reaches for Gospel. "WITH HER SOARING VOICE and sometimes fiery abandon, Aretha Franklin has had a long, variable but frequently incandescent career. She's been a queen of soul, she's sung jazz and the blues, but the basis of her style has been gospel music (...)

-snip- This song is also known as "Take My Hand Precious Lord". Click http://www.youtube.com/watch?v=kA0UV62zQFc&feature=related for a video of a rendition of this song by its composer Thomas Dorsey. Also click http://www.lyrics007.com/Gospel%20Lyrics/Take%20My%20Hand,%20Precious%20Lord%20Lyrics.html for the lyrics to this song.

****

Video #3: Lauryn Hill & Tanya Blount- "His Eye Is On The Sparrow"

uploaded by melinda974 | August 19, 2007

-snip-

Click http://en.wikipedia.org/wiki/His_Eye_Is_on_the_Sparrow for information about "His Eye Is On The Sparrow". Also click http://library.timelesstruths.org/music/His_Eye_Is_on_the_Sparrow/ for lyrics to this song

****

Video #4: Mahalia Jackson - Amazing Grace

Uploaded by Taddypoe on Mar 9, 2007

The Queen of Gospel breaking down Amazing Grace.

-snip-

Click http://www.gospelsonglyrics.net/a/amazing-grace.htm for lyrics to this song.

****

Video #5: I'll Fly Away

Uploaded by souloptics on Sep 3, 2009

Greatness of Gospel 2009 (I'll Fly Away) -snip-

Click http://www.youtube.com/watch?v=cx-tsNTy0Ds&feature=related for a rare film clip of Rock & Roll vocalist Jackie Wilson singing a faster tempo version of "I'll Fly Away". And click http://www.youtube.com/watch?v=nC29ITqNRpY&feature=related for a montage of vintage African American photographs and a performance of "I'll Fly Away" by Blues guitarist Mississippi John Hurt.

Also, click http://www.stlyrics.com/lyrics/obrotherwhereartthou/illflyaway.htm for the lyrics to "I'll Fly Away".

****

UPDATE: 1/16/2013

RELATED LINK

Click http://pancocojams.blogspot.com/2012/03/gospel-by-walter-hawkins-edwin-hawkins.html Gospel By Walter Hawkins, Edwin Hawkins, & Tramaine Hawkins, particularly for the song "Going Up Yonder".


****
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Visitor comments are welcome
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Standard African American Funeral Songs, Part II

Posted on 7:36 AM by Unknown
Edited by Azizi Powell

This is Part II of a two part series of standard songs for African American funerals.

Click http://pancocojams.blogspot.com/2012/07/standard-african-american-funeral-songs_2737.html for Part I of this series.

I don't mean to imply that these are the only songs that are sung at home going ceremonies (funerals) for African Americans.

The content of this post is presented for religious and aesthetic purposes. The copyrights remain with their owners.

My thanks to the vocalists and musicians who performed in these videos. My thanks also to the composers, videographers, and uploaders of these featured videos.

****
FEATURED VIDEOS
(These videos are posted in no particular order.)

Video #1: Mighty Clouds Of Joy - Walk Around Heaven



Uploaded by piotrgibus on Aug 31, 2007

Montreux Jazz Festival 1981, Paul Beasley soloist and Hampton Carlton on organ

Here's a comment from this video's viewer comment thread:

this is so beautiful, my grandmother and brother would sing this song all the time. If you go to a baptist funeral this is one of the songs that will be sung. Bless your heart thank you for singing for Jesus..
-samra1116; http://www.youtube.com/all_comments?v=QiDCAXIw0yU; July 2012

-snip-
Many other viewers' comments confirm that this song was/is sung at a number of African American home going (funeral) services.

****
Video #2: Patti Labelle - Then My Living Will Not Be In Vain



Uploaded by BronzeVenus on Jul 14, 2007

Patti salutes Osceola McCarty
-snip-
Click http://www.lyricsmania.com/if_i_can_help_somebody_lyrics_mahalia_jackson.html for the lyrics to "Then My Living Will Not Be In Vain".

****
Video #3: Andrae Crouch - Soon And Very Soon



Posted by mightyk23; July 24, 2007

Multi Gospel Grammy winner Andrae Crouch singing "Soon and Very Soon" at one of the "Great American Gospel Sound" concert Starring Tennessee Ernie Ford
-snip-
Here's a comment from this video's viewer comment thread:
"I always loved this song and remember singing it in the choir as a child. The King is King Jesus and we are all going to see him soon and very soon. It was an appropriate song for the Michael Jackson memorial. This song is played at many black funerals, usually when the casket/coffin is being taken out of the church at the end of the service and the family is walking out. Thanks for the post and the memories."
-laarbe, 2009
-snip-
Click http://www.lyricsmania.com/soon_and_very_soon_lyrics_andrae_crouch.html for the lyrics to this song which was written by Andrae Crouch.

****
Video #4: Dr Bernice Johnson Reagon Will The Circle Be Unbroken



Uploaded by whisperfight on Jun 24, 2011
-snip-
Click http://www.lyricsfreak.com/j/jeff+buckley/will+the+circle+be+unbroken_20070323.html for lyrics to this traditional song. Those lyrics include verses that Bernice Johnson Reagon didn't sing (and for what it's worth, I've never heard those particular same verses sung at any African American funeral that I've attended).

****
Video #5: Trouble of the World - Mahalia Jackson



Walter Robinson, Uploaded on Oct 25, 2011

****
ADDED SONG 11/1/2012

Video #6: Douglas Miller - My Soul Has Been Anchored



holyrollersoldier
-snip-
Here's a comment from this video's viewer comment thread:
"We hear it alot at funerals, but this song is an all day, every day song, and Bro. Dennis is SANGIN' it, I love how he closes it out on the live version here!!!"
-neilsoulman: September 2012

****
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Blog Archive

  • ▼  2013 (322)
    • ▼  September (18)
      • Pluto Shervington - Ram Goat Liver
      • Lord Nelson - King Liar (Calypso sound file, lyric...
      • Sundaygar Dearboy - Ma Ellen Give Them Pressure (v...
      • Down In The Canebrake (Lyrics, Sound File, & Comme...
      • Four Examples Of "Senzeni Na?"
      • Various African Funeral Customs Including South Af...
      • Colors Associated With Funerals In Ghana, West Africa
      • Wearing Red Dresses For Mourning (Song Examples & ...
      • Christy Essien Igbokwe - Seun Rere (videos, commen...
      • Examples Of The Line "We Don't Die We Multiply"
      • Peckin - Dance Movement & Jazz Compositions
      • "A Tisket A Tasket" (information, lyrics, and video)
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      • Racially Derogatory Variants Of Old Shoe Boots And...
      • Gus Cannon - Old John Booker You Call That Gone (i...
      • The Old Time Music Song "Johnny Booker" - (Informa...
      • Seven Videos Of Drum Solos By African American Dru...
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