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Tuesday, September 10, 2013

Wearing Red Dresses For Mourning (Song Examples & Comments)

Posted on 6:42 AM by Unknown
Edited by Azizi Powell

This post presents seven examples of Black American Old Time Music or early Blues songs in which red dresses symbolize mourning. This compilation isn't meant to represent all such songs.

The content of this post is presented for folkloric, entertainment, and aesthetic purposes.

All copyrights remain with their owners.

****
FEATURED EXAMPLES
(These examples are presented in alphabetical order.)

Example #1: "Ella Speed"
Lyric Excerpt:
"When the women all heard that Ella Speed was dead
All goes back home and they re-ragged in red"
-snip-
[re-ragged = re-dressed; changed their clothes]

http://www.mikeballantyne.ca/transcriptions_other/ellaspeed.php [This link includes the song lyrics and the history behind the song.]

Sound file:
Lead Belly ~ Ella Speed



Jimsters, Published on Nov 20, 2012
The song Ella Speed by Lead Belly off of the CD You Don't Know My Mind.
-snip-
The publisher's summary also includes the song lyrics.

****
Example #2: "Casey Jones"
Lyric Excerpt:
"Womens in Kansas all dressed in red,
Got de news dat Casey was dead.
Womens in Kansas all dressed in black,
Said,in fact, he was a crackerjack."

Dorothy Scarborough's 1925 book On The Trail Of Negro Folk Songs, p. 250

****
Example #3: "Duncan And Brady"
Lyric Excerpt:
“Women all heard that Brady was dead,
Goes back home and they dresses in red
Come a sniffin' and a sighin' down the street,
In their big mother hubbards and their stockin' feet

http://www.lyricsfreak.com/l/leadbelly/duncan+and+brady_20184073.html

Sound file:
Duncan and Brady Leadbelly



songs1994, Uploaded on Feb 25, 2009

****
Example #4: "John Henry"
Lyric Excerpt:
"John Henry had dat pretty liddle wife,
An' she went all dress up in red.
She walk ev'y day down de railroad track
To de place whar her steel-drivin' man fell dead."

Thomas W. Tally, Negro Folk Rhymes ,p. 105
http://www.gutenberg.org/files/27195/27195-h/27195-h.htm

****
Example #5: "John Henry" [Furry Lewis' version]
Lyric Excerpt
"When the womens in the West heard of John Henry's death
They couldn't stay at home in their beds
Some were dressed in white, some where dressed in red
Sayin Take me where John Henry fell dead...

Sound file:
'John Henry (The Steel Driving Man)' FURRY LEWIS (1928) Blues Guitar Legend



RagtimeDorianHenry, Uploaded on Apr 19, 2009

"John Henry (The Steel Driving Man) " (1928)
FURRY LEWIS

****
Example #6: "Louis Collins"
Lyric Excerpt:
"Oh, when they heard that Louis was dead
all the people they dressed in red"

http://www.elyrics.net/read/m/mississippi-john-hurt-lyrics/louis-collins-lyrics.html

Sound file:
Mississippi John Hurt - Louis Collins (1928)



fulanodetal4, Published on Jun 21, 2012

****
Example #6: "Poor Howard"
Lyric Excerpt:
Ol' Howard, po' boy
(plays the tune he just sung)
Ol' Howard he is dead an' gone
left me here to sing this song
left me here to sob and mourn (or moan)

Pretty little girl with a red dress on
(above line repeated two times)
God knows, pretty little girl with a red dress on"

http://www.lyricsmania.com/poor_howard_lyrics_leadbelly.html

Sound File:
Leadbelly - Poor Howard



3006khz, Published on Dec 30, 2012

Poor Howard (Green Corn). The audio is hard to hear, but, i think this is one of Lead Belly's coolest tunes.

****
EDITOR COMMENTS - IN SEARCH OF AFRICAN EXPLANATIONS FOR THIS LYRICAL FEATURE
Black Americans -along with other people in the United States- have long considered wearing the color red to be higly inappropriate at funerals or at public or private gatherings before the funeral service such as "viewings" or "wakes" (both of these may mean the same thing in the United States).

However, it seems to me that lyrics in those old songs about Black women wearing red were more than a rhyming device, but were a reflection of an expectation in [at least] some communities for Black women to wear red as an expression of their mourning. That conclusion led me to assume that this tradition was a remnant of African culture which was passed on as a normative custom, but was later disgarded in order to conform with mainstream American culture.

This speculation led me on an online search for information about and examples of traditional West African or Central African cultures in which the color red was associated with death or with mourning someone's death. I focused on those geographical regions because the African ancestors of most Black Americans came from those parts of Africa.*

Prior to a new search I re-read a Mudcat Folk & Blues forum discussion thread "The death of Louis Collins" http://mudcat.org/thread.cfm?threadid=3132. That thread includes lyrics of & comments about the song "Louis Collins" and some other Old Time Music/Early Blues songs which include references to women wearing red for mourning. I particularly focused on this comment that Guest,Bruce, Date: 04 Oct 02 cited and McGrath of Harlow 04 Oct 02 - 08:39 PM quoted from a Grateful Dead lyric blog:
Catherine Yronwode helpfully explains a bit more about the reference to "dressed in red":
"White folks, accustomed to black being the colour worn both for funerals and for post-funereal mourning, sometimes think that references in blues songs to dressing in red signify a party atmosphere or happiness over a person's death. Not so. In Africa, and among African-Americans in earlier times, drssing in red has been a funerary custom. As such, it is reminiscent of burial with red ochre pigment, which was used among neolithic people (the "red paint people") the world around. The religious idea behind this custom is that as a baby is born from the mother's womb through blood, so will rebirth occur (after interrment in Mother Earth) through blood."
*http://www3.clearlight.com/~acsa/introjs.htm?/~acsa/songfile/LOUISCOL.HTM
-snip-
While that comment interested me, the references to red being a funeral custom in Africa and among African Americans in earlier times was much too general for me. And as my online search for information about early Black American funeral customs was yielded no information about standard colors worn by mourners, I changed gears and started looking for more details about traditional African funeral customs.

According to http://en.wikipedia.org/wiki/Red#Red_in_different_cultures_and_traditions:
"In Central Africa, Ndembu warriors rub themselves with red paint during celebrations. Since their culture sees the color as a symbol of life and health, sick people are also painted with it. Like most Central African cultures, the Ndembu see red as ambivalent, better than black but not as good as white.[123] In other parts of Africa, however, red is a color of mourning, representing death.[124] Because red bears are associated with death in many parts of Africa, the Red Cross has changed its colors to green and white in parts of the continent.[125]"
-snip-
Note: It seems to me that "bears are associated" in that sentence is a typographical error for "bears [carries] an association with". In any event, I'm not satisfied with the much too general comment of red having that meaning in "many parts of Africa".
-snip-
A number of websites indicate that the color red is used in South Africa to symbolize mourning or death. However, most of those websites don't indicate whether "South Africa" refers to the nation or the geographical region. Furthermore, hardily any of those websites indicate the specific ethnic group/s in South Africa where it was or it is traditional to wear red for mourning.

Here's one exception to those much too general websites about the meaning of colors in African cultures:
http://www.independent.co.uk/news/world/africa/across-zimbabwe-red-rags-signify-a-nation-in-mourning-855428.html
"Across Zimbabwe, red rags signify a nation in mourning"
By Daniel Howden in Mpopoma township , Matabeleland
Friday 27 June 2008

"Red rags have been tied around lamp posts that don't light and hung from bus shelters. Giant V-signs have been painted over the pot-holed thoroughfares. Bulawayo, the opposition stronghold, awakes today to find it has been painted red. As Zimbabweans turn out to vote in a one-man election, a final message of defiance was being daubed overnight on the only public space available to the opposition: the roads.

One of the key organisers of the Movement for Democratic Change's "red campaign" who identified himself only as Thomas, said the symbolism was clear. "Red is the colour of the MDC. In African culture, it is also the colour of mourning. We are mourning the death of democracy, or the little we had of democracy."
-snip-
Notwithstanding that quoted comment, red is NOT the standard color of mourning in all African cultures.

Another website http://www.cimh.org/Handouts/June%2027-28,%202011%20Cultural%20Competence%20Summit/Tues.Jun28_300-430_WS-8A_Blanch_Handout1.pdf provides these meanings for red:
"Red: mourning = Cote d’Ivoire and South Africa"
Red: Nigeria –wealth, vitality, aggression

Red: Some areas [of Africa]- good luck
-snip-
But, for instance, that same website indicates that the color "orange" means mourning in Egypt.

It wasn't until I found online articles & videos of Ghanaian funeral customs did I find information about red being used for mourning. In that West African nation, the standard colors for funerals are black or red and black. Could this traditional Ghanaian custom be the source of the Black American Old Time Music & early Blues lyric feature of referring to women wearing red for mourning? I think so.

****
RELATED PANCOCOJAMS POSTS
Click http://pancocojams.blogspot.com/2013/09/colors-associated-with-funerals-in.html for a pancocojams post about colors worn at Ghanaian funerals.

Also, click http://pancocojams.blogspot.com/2013/09/various-african-funeral-customs.html for a pancocojams post on various other African funeral traditions including the nation of South African custom of "after tears parties".

****
Thanks to all the known and unknown composers of these featured songs. Thanks also to all the performers who are featured in this post. And thanks to all those who are quoted in this post and thanks to the publishers of these YouTube examples.

Thank you for visiting pancocojams.

Visitor comments are welcome.
Read More
Posted in African American spirituals, Leadbelly, old time music, Rhythm and Blues, Thomas W Talley Negro Folk Rhymes | No comments

Monday, September 9, 2013

Christy Essien Igbokwe - Seun Rere (videos, comments, & lyrics)

Posted on 4:22 AM by Unknown
Edited by Azizi Powell

This post showcases examples and lyrics of the 1981 hit Nigerian song "Seun Rere" ("Omo Mi Seun Rere") by Christy Essien Igbokwe.

Information about Christy Essien Igbkwe is also provided in this post.

The content of this post is presented for cultural, entertainment, and aesthetic purposes.

All copyrights remain with their owners.

Note: I have been unable to find a full English translation of the Yoruba words for this song. Please add that translation to the comment section of this post. Thanks!

****
INFORMATION ABOUT CHRISTY ESSIEN IGBOKWE
From http://en.wikipedia.org/wiki/Christy_Essien-Igbokwe
"Christy Uduak Essien-Igbokwe (11 November 1960 – 30 June 2011), also known as Nigeria's Lady of Songs, put Nigeria's name on the world music map with her evergreen "Seun Rere" track. She was the first female president of the Performing Musicians Association of Nigeria (PMAN). Born on 11 November 1960, this singer and actress is the chairman and managing director of Soul Train entertainment limited.

Although she is not Yoruba, most of her hits were sung in the western Nigerian language, and drew heavily on the culture and tradition. Essien's fluency in Yoruba, English, Igbo and her native Ibibio earned her an appeal which cut across tribal lines."

****
From http://www.cp-africa.com/2011/07/05/reminiscing-about-christy-essien-igbokwe-the-cultural-ambassador%E2%80%A6/
"Reminiscing About Christy-Essien Igbokwe, The Cultural Ambassador" by Busayo Sotunde, 5 July, 2011
..."Christy came to us as a gift and she was taken that we may value her more...

Her most successful album till date is her 1981 album “Ever liked my person?” produced by Lemmy Jackson. The album featured her most popular song “Seun rere.”

Most of her songs are in English, Yoruba, Ibibo, Igbo, and Hausa language. Indeed, as Anambra State Governor stated, “We have lost a cultural Ambassador.”

Christy Uduak Essien Igbowkwe will be fondly remembered for some of her contribution to the music industry and the society at large. She is credited to have:
Put Nigeria’s name on the world music map with her evergreed track- “Seun rere”

Initiated the first meeting that brought about the formation of Performing Musician Association of Nigeria (PMAN) in 1981. A year later, PMAN was officially launched with her serving as the first National Treasurer.

Became the first PMAN female President between 1996- 1999
...
Some of her awards include:
As the grand dame of Nigeria Pop music, she was popularly called “First Lady of Songs”

Received Africa Music Mother Award- 1984

International Special Achievement Award- 1983 (World Song Festival award, Los Angeles)

Outstanding achievement in female uplifting- Lagos 1996 Association of Theatre arts practitioners.
...

Enjoy this remix of the lyrics of her popular song “Seun rere” written from my reminiscence:
Omo mi seun rere
Nigeria e seun rere
Africa e seun rere
Ti yin a dara o

Meaning:
My child do good
Nigeria do good
Africa do good
And yours will be better (or well).

****
LYRICS: OMO MI SEUN RERE (My Child Do Good Deeds)
Omo mi seun rere, ti e a dara o
Omo mi gbo te mi, ti e a dara o
Omo mi seun rere, ti e a dara o
Omo mi gbo te mi, ti e a dara o
Iya mi ma seun rere, gbadura fun mi
Baba mi ma seun rere, gbadura fun mi
T’omode ba wu wa buruku, wa ni iya re lo ko
T’omode ba wu wa buruku, wa ni baba re lo ko
Iya mi fi ona toh da han mi laiye
Baba mi fi iwa toh da han mi laiye
Aiye ti mo wa yi ko ma ye mi o
Laiye mi, lorun keji mi, Olorun ni ma ye

Iya wa e seun rere, ti wa a dara o
Baba wa e seun rere, ti wa a dara o

Ah…

Iya mi ma seun rere, gbadura fun mi
Baba mi ma seun rere, gbadura fun mi
T’omode ba wu wa buruku, wa ni iya re lo ko
T’omode ba wu wa buruku, wa ni baba re lo ko
Iya mi fi ona toh da han mi laiye
Baba mi fi iwa toh da han mi laiye
Aiye ti mo wa yi ko ma ye mi o
Laiye mi, lorun keji mi, Olorun ni ma ye

Iya wa e seun rere
Baba wa e seun rere
Iya wa e seun rere, ti wa a dara o

Baba wa e seun rere
Iya wa e seun rere
Baba wa e seun rere, ti wa a dara o

Iya wa e seun rere
Baba mi e seun rere

Copied from FreeNaijaLyrics.com: http://www.freenaijalyrics.com/lyrics-christy-essien-igbokwe-seun-rere/#ixzz2eOOwBsBp

****
FEATURED EXAMPLES
Example #1: Christy Essien Igbokwe - Seun Rere (Audio)



planetolusola, Uploaded on Jan 8, 2009

Artist: Christy Essien Igbokwe ( 11/11/1960 - 06/30/2011)
Rest in peace Christy. You will be forever in our hearts. Thanks for the memories. God's speed and travel safe to the great beyond.

Album: Ever Liked My Person?
Year: 1981
format: mp3
-snip-
Here's a comment from that sound file's comment thread:
"this goes as my best song ever from Nigeria, yes many great songs have come and gone, but this will always stand out fresh. RIP Christy Essien. Ama seun rere Iya, tiwa ma dara."
-Henry Ohize, 2013

****
Example #2: Christy Essien Igbokwe - omo mi seun rere 


Christy Essien Igbokwe - omo mi seun rere by timmynaija

By www.timmynaija.com
****
RELATED VIDEO
This video of Christy Essien Igbokwe's funeral also contains visual clips of several performances by that Lady of Song. It is provided with all due respect. Rest in Peace [RIP]

Nigerians bid farewell to Christy Essien Igbokwe.flv



Channels Television, Uploaded on Sep 21, 2011
-snip-
A brief clip of Christy Essieen Igbokwe singing "Seun Rere" can be found at 4:40-5:11 of this video.

Here are two comments from that video's viewer comment thread:
"A CALABAR woman that grew up in IGBO land, and could pass for a "typical" YORUBA woman...,what a TALENT!!!.

Sis, pls pray 4 the country u left behind!!."
-emecca123, 2012
**
"Christy is one of the singer in Nigeria whose song reminds us why we should remain together as one in Nigeria...may her soul RIP...my heart goes out to the Igbokwe's family"
-lucky ogbonda, 2012

****
RELATED LINKS
I learned the English translation for the song title "Seun Rere" from this excerpt of the article that is found at http://www.gloworld.com/nigeria/news/glo-x-factor-contestants-rekindle-memories-of-african-legends/ Glo X Factor contestants rekindle memories of African legends
September 2, 2013 [seventh gala show]

"Princess Pat opened the night’s performances by singing “Omo mi seun rere,” by late Christy Essien Igbokwe. Clearing the way for her, some children came on stage to add colour to her performance and lend credence to the song title. Decked in the Yoruba ‘owanbe’ style attire, she sat in the midst of the children as she crooned on. Just like a school teacher, she dispensed timeless messages, including the names of her children and the judges in the song as she admonished them to “seun rere” (do good deeds)."

****
Click http://www.360nobs.com/2010/10/nigerias-top-50-songs1960-2010-the-complete-music-countdown/ for a listing of 50 top Nigerian songs (1960-2010). The song "Seun Rere" is posted as #4 on that list.

****
Thanks to Christy Essien Igbokwe for her musical legacy and her social activism. Thanks also to all who are quoted in this post. Thanks also to the publishers of these videos.

Thank you for visiting pancocojams.

Visitor comments are welcome.
Read More
Posted in Nigerian funeral customs, Niigerian music and dance | No comments

Sunday, September 8, 2013

Examples Of The Line "We Don't Die We Multiply"

Posted on 5:47 AM by Unknown
Edited by Azizi Powell

"We don't die, we multiply" or a similar version of that line is a floating verse that is found throughout African American culture.

This post showcases an early example of that line. This post also features a sample compilation of how "we don't die/we multiply" has subsequently been used in African American culture, in a Reggae song, and in a Filipino Rap song.

The content of this post is presented for folkloric, cultural, entertainment, and aesthetic purposes.

All copyrights remain with their owners.

Disclaimer: The lyrics for the examples included in this post may contain profanity and otherwise may not be considered appropriate by me or by some other persons. Consequently, I'm including no links to most of the full lyrics of most of these songs, and I'm not including links to most of their videos.

Note: In this post all forms of what is now referred to as "the n word" are partly written with the certain letters represented by the "and" character, although that word is fully spelled out in the featured lyrics in which it is found. I'm using that substitution because I detest that word.

In these examples the featured line is written in italics to highlight it.

****
AMERICAN CULTURAL EXAMPLES OF THE LINE "WE DON'T DIE WE MULTIPLE"

In Old Time Music
The earliest form of the line "We don't die/We multiply" that I have found is from a song that is included in Negro Folk Rhymes, a 1922 collection by Fisk University professor & folklorist Thomas W. Talley.

NEGROES NEVER DIE
Ni&&er! Ni&&er never die!
He gits choked on Chicken pie.

Black face, white shiny eye. Ni&&er! Ni&&er!

Ni&&er! Ni&&er never knows!
Mashed nose, an' crooked toes;
Dat's de way de Ni&&er goes. Ni&&er! Ni&&er!

Ni&&er! Ni&&er always sing;
Jump up, cut de Pidgeon's wing;
Whirl, an' give his feet a fling. Ni&&er! Ni&&er!
-snip-
"Negroes Never Die" is the song title that Thomas W. Talley gave to this example.

This is an example of an insult song in which some lighter skinned Black people "rip on" (diss) other Black people who they have grouped together largely because of their darker skin color.

In this song the featured line implies that dark skinned Black people don't die honorably, but instead die in a demeaning way by chocking on chicken pie.

Because the word "n&&ers" in this song is a referent for darker skinned Black people, this song is an early example of "colorism".
"Colorism is a practice of discrimination by which those with lighter skin are treated more favorably than those with darker skin." http://racerelations.about.com/od/understandingrac1/g/definitionofcolorism.htm

"Cut de [the] Pigeon's wing" is a type of social dance.

****
In contrast to its early use as a put down, in all the other examples of "We Don't Die/We Multiple" that I have found, that line is given as a proud, assertive statement.

Some examples of this use are:

In A Comedy Routine, An Animated Movie, and Documentary Movie About Comedian Robin Harris

From http://en.wikipedia.org/wiki/B%C3%A9b%C3%A9's_Kids
Bébé's Kids (released on home media as Robin Harris' Bébé's Kids) is a 1992 American animated comedy film produced by Reginald Hudlin and Hyperion Pictures, directed by Bruce W. Smith, and released on July 31, 1992 by Paramount Pictures.
The first animated feature to feature an entirely African-American main cast, the film is based upon comedian Robin Harris' "Bébé's Kids" stand-up comedy act."
-snip-
In this movie Robin meets Jamika at a funeral and arranges to take her and her mild mannered son Leon to an amusement park. Unbenownst to Robin, Jamika brings along on that date three extremely unruly children Kahlil, LaShawn, and Pee-Wee, who are the children of her girlfriend Bébé. “Upon entering the park, the kids are set loose and promptly wreak havoc.”

As a result of this comedy routine and animated film, the phrase "Bebe's kids" has become a referent among African Americans for very unruly children-particularly Black children.

Bebe's Kids Trailer



Osdatabase Uploaded on Feb 24, 2008

http://www.rarchivist.com
-snip-
In the movie "Bebe's Kids" the character Pee Wee says the quote "We don't die. We multiple" that Robin Harris previously has made famous in his stand up comedy act. A core meaning for this saying is "inspite of your attempts to get rid of us [or do us harm], we just get stronger".

****
From http://www.rottentomatoes.com/m/we_dont_die_we_multiply_the_robin_harris_story/
"We Don't Die, We Multiply: The Robin Harris Story (2004) [actual release date to theaters 2006]

Movie Info
Robin Harris was one of the best-respected African-American comedians of his day; after making his way up the ladder the hard way by playing club gigs around the country while working day jobs, he gained his first major break when he became the master of ceremonies at the Comedy Act venue in Los Angeles. Harris' sharp wit and old-school approach earned gained the attention of a number of filmmakers, and in the late '80s he scored showy roles in Do the Right Thing, Mo' Better Blues, and House Party. However, just as Harris seemed poised to make a major career breakthrough, he died of a respiratory ailment in 1990 at the age of 37. The Robin Harris Story: We Don't Die, We Multiply is a documentary which examines Harris' short but memorable career, and includes interviews with such friends and fans as Bernie Mac, Cedric the Entertainer, Martin Lawrence, and Robert Townsend."

****
In Rap Songs
"We Don't Die/We Multiple" is a floating verse in a number of Rap [Hip Hop] songs. One example of the use of a form of the line "We Don't Die We Multiply" is Snoop Dogg's "10-lil-crips"

[Hook: Snoop Dogg]
Ten little Crip ni&&as runnin outside
All from the turf and they bangin out lives
Far from a scrub cuzz from the Eastside
Where they don't die they just multiply
So.. don't give them ni&&as a reason
To turn it into spray season
Don't give them ni&&as a reason
Because they'll turn it into Crip season

Track 11 on Tha Blue Carpet Treatment [Release date: November 21, 2006]
Source: http://rapgenius.com/Snoop-dogg-10-lil-crips-lyrics#note-120479
-snip-
A published comment about that song indicates that it is "A shout out to [rapper] Ice-T and his famous quote: “We don’t die, we just multiply”.
Ice-T was also a [member of the] crip [gang]."
http://rapgenius.com/120479/Snoop-dogg-10-lil-crips/Where-they-dont-die-they-just-multiply

Two other Rap songs that include the line "we don't die/we multiply line" or a version of that line are:

2Pac in The Notorious B.I.G. – Hot 95 Freestyle Lyrics -
"No matter how you try, ni&&as never die
We just retaliate with hate, then we multiply"
[release date 1995] and "Ride" by Master P - ""Real ni&&as don't die we multiply" [release date?]

****
In A Fraternity Steppin Chant
Ques don't die
They multiple
They go yah ha ha ha ha

[Repeat the entire chant several times while doing a steppin routine.]
-snip-
I recall this step chant from step shows [in Pittsburgh, Pennsylvania] in at least the mid 1990s.

I haven't been able to find a video of this chant as peformed by Ques [men associated with Omega Psi Phi Fraternity, Inc.] or as performed by other Black Greek lettered fraternities or sororities. If you know of any such YouTube videeos, please share those links in the comment section of this post. Thanks!

****
NON-AFRICAN AMERICAN USE OF THE LINE "WE DON'T DIE/WE MULTIPLE"

In a Reggae Song [Jamaica]

Ini Kamoze -HERE COMES THE HOTSTEPPER
Hit It!
Na, na na na na, na na na na
Na na na, na na na, na na na na

Here comes the hot stepper, murderer
I'm the lyrical gangster, murderer
Pick up the crew in-a de area, murderer
Still love you like that, murderer

No no we don't die, yes we mul-ti-ply
Anyone test will hear the fat lady sing
Act like you know Rico, I know what Bo don't know
Touch them up and go, uh-oh! Ch-ch-Chang Chang

Here comes the hot stepper, murderer
I'm the lyrical gangster, murderer
Excuse me mister officer, murderer
Still love you like that, murderer

Extraordinary, juice like a strawberry
Money to burn baby, all of the time
Cut to fade is me, fade to cut is she
Come juggle with me, I say every time

Here comes the hot stepper, murderer
I'm the lyrical gangster, murderer
Dial emergency number, murderer
Still love you like that, murderer

Na, na na na na, na na na na
Na na na, na na na, na na na na
It's how we do it man
Na, na na na na, na na na na
Na na na, na na na, na na na na

Start like a jackrabbit, finish in front of it
On the night is jack , that's it, understand?
I'm the daddy of the mack daddy, his are left in gold, maybe
Ain't no homie gonna play me, top celebrity man

Murderer, I'm the lyrical gangster, murderer
Excuse me mister officer, murderer
Still love you like that, murderer
No no we don't die, yes we mul-ti-ply
Anyone test will hear the fat lady sing
Act like you know, G go, I know what Bo don't know
Touch them up and go, uh-oh! Ch-ch-Chang Chang

Here comes the hot stepper, murderer
I'm the lyrical gangster, murderer
Dial emergency number, murderer
Still love you like that, murderer
Na, na na na na, na na na na
Na na na, na na na, na na na na

Yeah man
Na, na na na na, na na na na
Na na na, na na na, na na na na, right
Here comes the hot stepper, murderer
I'm the lyrical gangster, murderer
Big up all crew bow ya, murderer
Still love you like that, murderer

Here comes the hot stepper, murderer
I'm the lyrical danger, murderer
Pick up the crew in-a the area, murderer
Still love you like that, murderer

Here comes the hot stepper
I'm the lyrical gangster
I'm a live in-a me danger
Still love you like that

Hey
Da da da da
Da da da da
Da da da da
-snip-
Songwriters
Remi, Salaam / Kenner, Christopher / Kamoze, Ini / Nix, Kenton
Release date- April 18, 1995

Source: http://www.metrolyrics.com/here-comes-the-hotstepper-lyrics-ini-kamoze.html
-snip-
Here Comes The Hotstepper--- Ini Kamoze.(HQ)

.

AftaPancU, Published on Apr 20, 2013

Respect To Classic Track !!
Lyrics [included in this video summary]

****
As the title of a Pinoy [Filipino] Rap Song
The Filipino Rap group 187 Mobstaz released a song whose title is "We Don't Die We Multiply"
[release date: Jan 2013]
Note: "Section 187" is the California Penal Code section for murder.

****
Thanks to all those who are quoted and/or featured in this post.

Thank you for visiting pancocojams.

Visitor comments are welcome.
Read More
Posted in Black Comedy, Black movies, Hip Hop music, old time music, pigeon wing, Reggae, Thomas W. Talley | No comments

Saturday, September 7, 2013

Peckin - Dance Movement & Jazz Compositions

Posted on 7:49 AM by Unknown
Edited by Azizi Powell

This post provides information about and examples of the dance movement and Jazz song "Peckin".

The content of this post is presented for cultural, entertainment, and aesthetic purposes.

All copyrights remain with their owners.

****
INFORMATION ABOUT "PECKIN"
From http://www.streetswing.com/histmain/z3peckn1.htm
"Peckin is not a dance but a vernacular movement within another dance.

Frank Sebastion's Cotton Club (not related to the New York Club) in Los Angeles is said to have done the first public routine with the "Peckin' Motion" (Chicken) done by a group called the Three Chocolateers (Eddie West, Paul Black and Albert "Gib" Gibson) in 1934 and became a Swing and Ballroom sensation. The Three Chocolateers can be seen doing it in the feature length film entitled "New Faces of 1937" * by RKO Radio films and "Murder at the Vanities."

Later the “Cotton Club Express” (a dance group) at the Cotton Club in New York would introduce “the peckin dance” in 1937 to the dancing public. Basically, it was done with the head bobbing forward and back to each beat as the couple face each other, with a “Pecking motion” (like a chicken) toward each other’s head.”...

*This video is found below as Example #4.

****
From http://www.youtube.com/watch?v=2Ezk4TWNy8M [This sound file is found below as Example #1.]
"Pecking", the name of this song, was a dance move in which each partner would move their heads towards each other and then back, alternating between the right and left. Their faces never touched, but would be to one side or the other. It was supposed to resemble a bird pecking at something - sort of.
-hebneh, 2012
**
Peckin, while seeming smiliar to a peck or kiss, actually stems from 20s animal dances such as camel walks, turkey trot, the snake, and the fox trot. Peckin is meant to resemble Bird like behavior."
-NaptownStomp, 2011
-snip-
In Standard American English, a “peck on the cheek” is a little kiss on the cheek and not the lips.

I would probably categorize "Peckin" as a bird dance instead of an animal dance. But that's nit picking.

****
FEATURED EXAMPLES
(These examples are presented in chronological order with the oldest dated examples presented first.)

Example #1: 1937 Jitterbug: Benny Goodman & His Orch. - "Peckin'"



240252,Uploaded on Jun 16, 2008

Benny Goodman & His Orch. - Peckin' (H.James /B.Pollack), Victor 1937

The term "jitterbug" comes from an early 20th century slang used to describe alcoholics who suffered from the "jitters" (delirium tremens). During the early 1900s, the term became associated with dancers who danced without any control or knowledge of the dance. In the Swing era, the term was adopted by band leader Cab Calloway to describe the swing dancers who, as he put it „look like a bunch of jitterbugs out there on the floor", due to their fast often bouncy movements. Calloway's 1935 recording of "Call of the Jitter Bug" and the film "Cab Calloway's Jitterbug Party" popularized use of the word "jitterbug". Lyrics to "Call of the Jitter Jug" clearly demonstrate the association between the word jitterbug, and the consumption of alcohol. "If you'd like to be a jitter bug, First thing you must do is get a jug, Put whiskey, wine and gin within, And shake it all up and then begin. Grab a cup and start to toss, You are drinking jitter sauce! Don't you worry, you just mug, And then you'll be a jitter bug!"

World War II facilitated the spread of jitterbug to Europe. For instance, by May 1944 in preparation for D-Day, there were nearly 2 million American troops stationed throughout Britain. Time Magazine reported that American troops stationed in France in 1945 „jitterbugged", and by 1946 jitterbug had become a craze in England.

****
Example #2: Lindy Hop funny instructional video : Groovie Movie (1944)

.

SandetLudo, Uploaded on Mar 17, 2011
-snip-
The clip about peckin begins at 1:57 & ends at 2.16.

****
Example #3: Peckin' (Cab Calloway & Orch 1937) 120 bpm



Swing Dance Montreal, Published on Apr 10, 2012

Pièce musicale swing idéal pour danser le Lindy Hop, Balboa, Blues et Ballrooming
www.swingdancemontreal.com
www.swingdancemontreal.blogspot.com
-snip-
In the beginning of this song the dance "truckin" is mentioned.
Click http://pancocojams.blogspot.com/2013/02/the-jazz-dance-truckin-information.html for a post about "truckin".

****
Example #4: 1937 Peckin' Dance by the 3chocolateers



Sonny Watson, Uploaded on Feb 3, 2013

1937 Peckin' Dance by the 3chocolateers.

Frank Sebastion's Cotton Club (not related to the New York Club) in Los Angeles is said to have done the first public routine with the "Peckin' Motion" (Chicken) done by a group called the Three Chocolateers (Eddie West, Paul Black and Albert "Gib" Gibson) in 1934 and became a Swing and Ballroom sensation. The Three Chocolateers can be seen doing it in the feature length film entitled "New Faces of 1937" (see clip) by RKO Radio films and "Murder at the Vanities."

...for more inf on Peckin' and more see:
http://www.streetswing.com/histmain/z...

****
ADDENDUM
Here's a video of a Cinco de Mayo "pecking dance". I'm not sure if thackPe

Pecking Dance

Jose Aguirre• Uploaded on May 8, 2008
SPVHS Cinco de Mayo Celebration
-snip-
This dance clearly is very similar if not the same as the Jitterbug "peckin" dance movement. I'm not sure if this was appropriated from that Jazz dance, or developed independently of that dance.

Click http://en.wikipedia.org/wiki/Cinco_de_Mayo for information about Cinco de Mayo.

****
RELATED LINKS
Click http://pancocojams.blogspot.com/2013/05/the-pigeon-wing-buck-wing-and-buck.html for a post about African American bird dances.

Also, click http://pancocojams.blogspot.com/2013/09/a-tisket-tasket-information-lyrics-and.html for a post about the song "A Tisket A Tasket". A verse of that 1938 song mentions "peckin".

****
Thanks to the creators of the peckin dance. Thanks also to all those who are featured on in this post, including Cab Calloway and Bennie Goodman for their musical legacy. Thanks also to all those who are quoted in this post and the publishers of these YouTube examples.

Thank you for visiting pancocojams.

Visitor comments are welcome.
Read More
Posted in African American bird dances, Cinco de Mayo, Jazz, Jazz dances, Jitterbug, Truckin | No comments

"A Tisket A Tasket" (information, lyrics, and video)

Posted on 6:35 AM by Unknown
Edited by Azizi Powell

This post provides information about and examples of the nursery rhyme & the song "A Tisket A Tasket".

The content of this post is presented for folkloric, entertainment, recreational, and aesthetic purposes.

All copyrights remain with their owners.

****
INFORMATION ABOUT "A TISKET A TASKET".
From http://en.wikipedia.org/wiki/A-Tisket,_A-Tasket
"A Tisket A Tasket is a nursery rhyme first recorded in America in the late nineteenth century.[1][2] It was used as the basis for a very successful and highly regarded 1938 recording by Ella Fitzgerald. It has a Roud Folk Song Index number of 13188.

The rhyme was first noted in the United States in 1879 [3] as a children's rhyming game. It was sung while children danced in a circle. One of the number ran on the outside of the circle and dropped a handkerchief. The nearest child would then pick it up and chase the dropper. If caught the dropper was either kissed, joined the circle, or had to tell the name of their sweetheart.[2] An early noted version had the lyrics:

A-tisket a-tasket
A green and yellow basket
I wrote a letter to my love
And on the way I dropped it,
I dropped it,
I dropped it,
And on the way I dropped it.
A little boy he picked it up
and put it in his pocket.[2]

In some variants, the second line is "I lost my yellow basket"."

****
SONG LYRICS - A TISKET A TASKET
(Ella Fitzgerald, in conjunction with Al Feldman, later known as Van Alexander)

A-tisket A-tasket
A brown and yellow basket
I send a letter to my mommy
On the way I dropped it

I dropped it
I dropped it
Yes on the way I dropped it
A little girlie picked it up
And put it in her pocket

She was atruckin on down the avenue
But not a single thing to do
She went peck peck pecking all around
When she spied it on the ground

She took it
She took it
My little yellow basket
And if she doesn't bring it back, I think that I will die

A-tisket A-tasket
I lost my yellow basket
And if that girl don't return it
I don't know what I'll do

Oh dear I wonder where my basket can be
(So do we, so do we, so do we, so do we, so do we)
Oh gee I wish that little girl I could see
(So do we, so do we, so do we, so do we, so do we)

Oh why was I so careless with that basket of mine?
That itty bitty basket was a joy of mine!

A-tisket
A-tasket
I lost my yellow basket
Won't someone help me find my basket
And make me happy again? again

(Was it green?) No, no, no, no
(Was it red?) No, no, no, no
(Was it blue?) No, no, no, no

Just a little yellow basket
A little yellow basket

Source: http://www.sing365.com/music/lyric.nsf/A-tisket-A-tasket-lyrics-Ella-Fitzgerald/5F3E2C5F547CDE5F48256D290029CCC4

****
SHOWCASE VIDEO

Ella Fitzgerald A Tisket a Tasket - From Ride Em Cowboy



Arnold Beltran, Uploaded on Feb 23, 2009

Grammy Induced Song

****
ADDENDUM
In response to the question "What is a "tisket" and a "tasket" in the rhyme & song "A Tisket A Tasket", Sasami81 wrote in 2008 that "Tisket= basket part/ tasket= handle part" http://answers.yahoo.com/question/index?qid=20081009182414AAVb6zh

I've not been able to find any other information online to confirm or refute that answer.
**
The word "truckin" in the line "She was atruckin on down the avenue" can be broadly said to mean "she was moving on down the avenue". However, "truckin" refers to an actual social dance that was introduced in Harlem (New York) in 1927 if not earlier.
Click http://pancocojams.blogspot.com/2013/02/the-jazz-dance-truckin-information.html for a post about "truckin".
**
The word "peckin" in the line also refers to a Jazz (Jitterbug)dance movement that was popularized in 1937.

Click http://pancocojams.blogspot.com/2013/09/peckin-dance-movement-jazz-composition.html for a pancocojams post on "peckin".

****
Thanks to the unknown composer/s of the children's rhyme "A Tisket A Tasket". Thanks also to Ella Fitzgerald for her musical legacy and thanks to Al Feldman (Van Alexander) for jointly composing the Jazz song which is based on that rhyme. Thanks to all those quoted in this post as well as the publisher of this featured video.

Thank you for visiting pancocojams.

Visitor comments are welcome.
Read More
Posted in children's singing games, Ella Fitzgerald, Jazz, Jitterbug, peckin, Truckin | No comments

Wednesday, September 4, 2013

"The Old Black Booger" Folk Song (information, comments, & lyrics)

Posted on 3:47 AM by Unknown
Edited by Azizi Powell

"The Old Black Booger" is a folk song with an interesting title whose structure, lyrics, and tune clearly testify to its membership in the "Old Shoe Boots And Leggings" family.

Here's information about the "Old Shoe Boots And Leggings" family of folk songs
From http://web.spsp.net/jbealle/bullfrog/Bullfrogtext.html

Introduction:
Bullfrog Jumped: The Long and Short Histories of Songs on the CD
by Joyce Cauthen
"Bullfrog Jumped is a CD of children’s songs that were recorded across Alabama in 1947

..."Under a wide variety of titles, "Old Shiboots and Leggings" has appeared in British and American collections since the 1700s. Other titles include "The Old Man's Courtship," "Old Shoes and Leggins," "The Old Man from Over the Sea," "Old Grey Beard," "The Dottered Auld Carle," and many others. All depict, in farcical tones, a failed courtship. Early country music versions were recorded by Henry Whitter ("Overshoes and Leggins," Okeh, 1926), Uncle Eck Dunford ("Old Shoes and Leggins," Victor V-40060, 1928) and the Burnett Brothers ("Old Shoes a-Draggin'," Victor 23727, 1932).

Among the many variants, there are a few narrative strategies that commonly recur. Callie Craven's version* follows a well-known course: at the mother's insistence, a hapless suitor is offered chances at courtship; the dutiful daughter seems to have little hope of avoiding marriage; but the man spoils the courtship with his ridiculous and crude behavior.

Although there some versions by male singers, this song is chiefly a women's song"..."
*Click http://www.allmusic.com/song/old-shiboots-and-leggings-mt0031668966 "Old Shiboots and Leggings" for a brief sound file of Callie Craven singing this song. (1946)

Also, click http://pancocojams.blogspot.com/2013/09/racially-derogatory-variants-of-old.html for a pancocojams post about this family of folk songs.

Here's a link to a brief sound file and lyrics for "The Old Black Booger"
http://maxhunter.missouristate.edu/songinformation.aspx?ID=881

Cat. #0881 (MFH #687) - As sung by Ollie Gilbert, Mountain View, Arkansas on August 29, 1969

Here are the lyrics that are given on that website:

VERSE 1
O, yonder comes that ole black booger
O, I won't have him
Com'in across't th sea, t' marry me
With his ole shoe, boots an' leggins

VERSE 2
My mamma, she told me, t' open th door
O, I won't have him
I opened th door an' he fell in th floor
With his ole shoe, boots an' legg'ins

VERSE 3
Well, mamma she told me, t' set 'im a chair
O, I won't have him
Set 'im chair an' he looked like a dear
With his ole shoe, boots an' leggins

VERSE 4
Well mamma, she told me, t' set 'im a plate
O, I won't have him
Set 'im a plate an' he eat like a snake
With his ole shoe, boots an' legg'ins

VERSE 5
Well mamma, she told me, t' fix his bed
O, I won't have him
Fixed his bed an' he stood on his head
With his ole shoe, boots an' legg'ins

VERSE 6
Well mammy told me go saddle his horse
O, I won't have him
Went t' saddle his horse an' th bridle was lost
An' his ole shoe, boots an' legg'ins

VERSE 7
Mamma she told me, t' bid 'im farewell
O, I won't have him
I bid 'im farewell but I wished 'im in Hell
With his ole shoe, boots an' legg'ins

Variants
0217 With His Old Gray Beard a Shining
0254 With His Long Cane Pipe a Smokin'
0289 With His Ole Gray Beard A Shining
1539 Old Shoes and Leggins

COMMENTS ABOUT "THE OLD BLACK BOOGER"
The word "black"
Given that song's theme of a woman being courted by a ridiculous, crude old man, I believe that the word "Black" in the song "The Old Black Booger" refers to a person of ill repute and not a person of African descent.

For information about the adjective "black" being considered a negative, consider the sixth definition of that word in http://www.merriam-webster.com/dictionary/black
"a: thoroughly sinister or evil : wicked

b: indicative of condemnation or discredit "
-snip-
Also consider the meaning of the noun a "blackheart"...
http://www.ask.com/question/what-is-the-meaning-of-a-black-heart
"a person who have [sic] no feelings and no regards for other people's feelings. A healthy heart is considered to be red."

Of course, the definition of "black" as given above, if not the definition of "blackheart", is steeped in racism. But the point is that the use of the word "black" in "The Old Black Booger" song (or in any other song) doesn't necessarily mean that the song is about Black people.

That the word "black" in "The Old Black Booger" doesn't refer to a Black man is particularly true because in the Southern part of the United States, and elsewhere in that country up until fairly recently (and still among many people today) it would have been anathema for a White woman to be courted by a Black man. (Notice that I'm assuming that this song was sung by White Americans who weren't putting on the role of a Black person while singing this song.)

For those reasons, I don't think that the inclusion of the word "Black" in that song's title causes it to be categorized as racially deregoratory.

**
The word "booger"
I believe that the word "booger" in the song "The Old Black Booger" probably is a put down term for a man who thinks he is frightening.
From http://en.wikipedia.org/wiki/Booger
Booger [second colloquial definition]
"A ghost or hobgoblin used to frighten children, also boogerman, boogieman, or bogeyman (mainly southern U.S.)."

****
The word "mammy"
I think that the use of the word "mammy" in this song [VERSE 6
"Well mammy told me go saddle his horse"] doesn't mean that the singer was Black or that the singer was putting on the role of a Black person for the purpose of this song. Non-Black people in the American South and in other nations also used the word "mammy". Note the past tense, as the word "mammy" has long been is retired from formal or informal use in the USA, probably because of its close association with the ante-bellum South. And I believe that "mammy" has also been retired from use in other nations - as well it should be.

****
ADDENDUM
Although these songs aren't related, I'm intrigued by the possibility that the word "booger" in the song "The Old Black Booger" could remind people of the song "Old Johnny Booker" which was also known as "Johnny Booger" and "Mister Booger", among other songs. In early versions of that song, the character "Johnny Booker" (Booger, Bucca, Bucker) wasn't necessarily Black, but the person asking for his help certainly was Black.

Click http://pancocojams.blogspot.com/2013/09/the-old-time-song-johnny-booker.html for a post about the song "Johnny Booker".

Also click http://pancocojams.blogspot.com/2013/09/gus-cannon-old-john-booker-you-call.html for a post about the song "Old John Booker You Call That Gone.

****
RELATED LINKS
http://maxhunter.missouristate.edu/songinformation.aspx?ID=0217 "With His Old Gray Beard a Shining"

**
http://mudcat.org/thread.cfm?threadid=19426 "Penguin: The Old Man From Lee"

****
Thanks to all who I have quoted in this post.

Thank you for visiting pancocojams.

Visitor comments are welcome.
Read More
Posted in American folk songs, British folk songs, Johnny Booker | No comments

Tuesday, September 3, 2013

Racially Derogatory Variants Of Old Shoe Boots And Leggings

Posted on 5:53 PM by Unknown
Edited by Azizi Powell

In 2004 I started a Mudcat [folk music] discussion thread about "Songs Your Parents Didn't Allow".http://mudcat.org/thread.cfm?threadid=73889.

The first song that I posted to that thread was one whose title I knew as "The Little Baldheaded Chinese". Shortly after I posted the lyrics to that song, Joybell, a commenter from Australia, indicated that the song I had posted was a variant of song "Old Shoe Boots And Leggings". Prior to reading that comment, I had never heard of that song by that title or any other title.

Here's the lyrics of that song which I had somehow learned as a child but definitely not from my parents:

My mother she told me to open the door.
The little bald headed Chinese nese nese.
I opened the door.
He fell on the floor.
The little bald-headed Chinese nese nese.

My mother she told me to get him a drink.
The little bald headed Chinese nese nese.
I gave him a drink.
He peed in the sink.
The little bald headed Chinese nese nese.

My mother she told me to give him a dance.
The little bald headed Chinese nese nese.
I gave him a dance.
He pulled down his pants.
The little bald headed Chinese nese nese.
-snip-
Since then I've read other online versions of "The Little Bald Headed Chinese" which is also called "The Crazy Man From China" and other such titles. And I realize that my sisters and I added the "nese nese" ending for rhythmic effect. Besides that, those words that I remember from the mid 1950s Atlantic City, New Jersey are quite similar to examples of that song that I've found. (For what it's worth, I thought my mother didn't want my sisters and me to sing that song because it made fun of some one's race, and it was "nasty". By "nasty" I meant the "peed in the sink" line. It wasn't until I got older that I realized that my mother also didn't like the sexual overtones of the song. But as a young child, the sexual implications of the line about the Chinese man "pulling down his pants" went right over my head. I thought that the man was doing wrong because you weren't suppose to go to the bathroom or get ready to go to the bathroom in public.")

Here's another version of that song:

My Mother told me to open the door
Gee I don't wanna
But I opened the door and in stepped the man,
The dirty old man from China,

My mother told me to take him to a dance
Gee I dont wanna
But I took him to a dance and he peed in his pants
The dirty old man from China

My mother told me to take him to school
Gee I don't wanna
But I took him to school and he acted like a fool
The dirty old man from China

My mother told me to take him to bed
Gee I don't wanna
But I took him to bed, and I screwed off his head
The dirty old man from China

My mother told me to bury his head
Gee I don't wanna
But I buried his head and that was the end
Of the dirty old man from China.

Collected by Lisa Null from her nieces who learned it in a school playground, early 1970s, in West Glover or Barton, Ver
-http://mudcat.org/thread.cfm?threadid=98174
"Lyr Req: Crazy Old Man From China" posted by Guest, Lisa Null,
January 2007

For comparison's sake, here's an American example of a song from the "Old Shoe Boots And Leggings" family:

WITH HIS OLD GRAY BEARD A SHINING
Cat. #0217 (MFH #687) - As sung by Mrs. Laura McDonald and Reba Glaze, Springdale, Arkansas on July 23, 1958

VERSE 1
There was an old man, lived over th lea
I hope, but I won't have 'im
Came over th lea, a courting with me
With his old gray beard a shining

VERSE 2
My Mother she told me, to open th door
I hope, but I won't have 'im
I opened th door, he fell on th floor
With his old gray beard a shining

VERSE 3
My Mamma she told me, to feed him some cake
I hope that I won't have 'im
I fed him some cake, he swallowed th flake
With his old gray beard a shining

VERSE 4
My Mamma she told me, to feed him some pie
I hope that I won't have 'im
I feed him some pie and he swallowed a fly
With his old gray beard a shining

VERSE 5
My Mother she told me, to put 'im to bed
I hope that I won't have him
I put 'im to bed an' I cut off his head
With his old gray beard a shining
http://maxhunter.missouristate.edu/songinformation.aspx?ID=0217
-snip-
Here's some information about that family of folk songs from http://web.spsp.net/jbealle/bullfrog/Bullfrogtext.html
Introduction:
Bullfrog Jumped: The Long and Short Histories of Songs on the CD
by Joyce Cauthen
"Bullfrog Jumped is a CD of children’s songs that were recorded across Alabama in 1947

Under a wide variety of titles, "Old Shiboots and Leggings" has appeared in British and American collections since the 1700s. Other titles include "The Old Man's Courtship," "Old Shoes and Leggins," "The Old Man from Over the Sea," "Old Grey Beard," "The Dottered Auld Carle," and many others. All depict, in farcical tones, a failed courtship. Early country music versions were recorded by Henry Whitter ("Overshoes and Leggins," Okeh, 1926), Uncle Eck Dunford ("Old Shoes and Leggins," Victor V-40060, 1928) and the Burnett Brothers ("Old Shoes a-Draggin'," Victor 23727, 1932).

Among the many variants, there are a few narrative strategies that commonly recur. Callie Craven's version* follows a well-known course: at the mother's insistence, a hapless suitor is offered chances at courtship; the dutiful daughter seems to have little hope of avoiding marriage; but the man spoils the courtship with his ridiculous and crude behavior.

Although there some versions by male singers, this song is chiefly a women's song"...

* Click http://www.allmusic.com/song/old-shiboots-and-leggings-mt0031668966 "Old Shiboots and Leggings" for a brief sound file of Callie Craven singing this song. (1946)
-snip-
"The Little Bald Headed Chinese" songs don't seem to adhere to the overarching theme found in "Old Shoe Boats And Leggings" family of songs of a young woman's reactions to being courted by a ridiculous, crude old man. However, given the very close similarities between the structure, lyrics, and tune of "The Little Bald Headed Chinese" and the "Old Shoe Boots And Leggings" songs, it's curious that the connection between these songs doesn't appear to be that widely documented and discussed - online, anyway.

Also, given the historical and present day racism against Chinese, Japanese, and other East Asian people as reflected in mainstream American culture and other Western nations - including in examples of put down & ridiculing children's playground rhymes* - it seems to me that these "Little Bald Headed Chinese"/"Crazy Old Man From China" variants should be recognized as being potentially harmful to children & others as those songs can add to the generalized disparagement of East Asian people, whether or not that consequence is largely unconscious.

Unlike the other songs in the "Old Shoe Boots And Leggings" family, the Chinese examples aren't necessarily about a suitor, and aren't obstensibly about an old man. For what it's worth, as a child I didn't interprete the man being bald headed as an indication that the man was old.

*Examples of what I consider to be anti-Chinese playground songs are "Ching Chong Chinaman", "Me Chinese Me Drink Coke", and some examples of "I Went To The Chinese Restaurant".

ADDENDUM
"The Old Black Booger" is a song with an interesting title whose structure, lyrics, and tune clearly testify to its membership in the "Old Shoe Boots And Leggings" family. Given that song's theme of a woman being courted by a ridiculous, crude old man, I believe that the word "Black" in the song "The Old Black Booger" refers to a person of ill repute and not a person of African descent. This is particularly true because in the Southern part of the United States, and elsewhere in that country up until fairly recently (and still among many people today) it would have been anathema for a White woman to be courted by a Black man. For those reasons, I don't think that the inclusion of the word "Black" in that song's title causes it to be categorized as a racially deregoratory song.

Click http://pancocojams.blogspot.com/2013/09/the-old-black-booger-folk-song.html for a separate pancocojams post about th song "The Old Black Booger".

RELATED LINKS
http://pancocojams.blogspot.com/2013/07/examples-of-anti-asian-references-in.html "Examples Of Anti-Asian References In Children's Playground Rhymes"

**
http://maxhunter.missouristate.edu/songinformation.aspx?ID=0217 "With His Old Gray Beard a Shining"

**
http://mudcat.org/thread.cfm?threadid=19426 "Penguin: The Old Man From Lee"

****
Thanks to all who I have quoted in this post.

Thank you for visiting pancocojams.

Visitor comments are welcome.
Read More
Posted in American folk songs, anti-Chinese rhymes, British folk songs | No comments
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Blog Archive

  • ▼  2013 (322)
    • ▼  September (18)
      • Pluto Shervington - Ram Goat Liver
      • Lord Nelson - King Liar (Calypso sound file, lyric...
      • Sundaygar Dearboy - Ma Ellen Give Them Pressure (v...
      • Down In The Canebrake (Lyrics, Sound File, & Comme...
      • Four Examples Of "Senzeni Na?"
      • Various African Funeral Customs Including South Af...
      • Colors Associated With Funerals In Ghana, West Africa
      • Wearing Red Dresses For Mourning (Song Examples & ...
      • Christy Essien Igbokwe - Seun Rere (videos, commen...
      • Examples Of The Line "We Don't Die We Multiply"
      • Peckin - Dance Movement & Jazz Compositions
      • "A Tisket A Tasket" (information, lyrics, and video)
      • "The Old Black Booger" Folk Song (information, com...
      • Racially Derogatory Variants Of Old Shoe Boots And...
      • Gus Cannon - Old John Booker You Call That Gone (i...
      • The Old Time Music Song "Johnny Booker" - (Informa...
      • Seven Videos Of Drum Solos By African American Dru...
      • "L'annee Passee", The Calypso Song That Became "Ru...
    • ►  August (41)
    • ►  July (27)
    • ►  June (40)
    • ►  May (43)
    • ►  April (31)
    • ►  March (51)
    • ►  February (26)
    • ►  January (45)
  • ►  2012 (178)
    • ►  December (35)
    • ►  November (33)
    • ►  October (35)
    • ►  September (22)
    • ►  August (24)
    • ►  July (16)
    • ►  June (13)
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